Albert Beich
- Writer
- 10 on MovieCove · 18 credits in all
What are Albert Beich's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 8
Light 8 · Serious 1 · Dark 1
A split, not a type: Grounded 6 · Stylized 4 · Heightened 0
A split, not a type: Gentle 6 · Charged 3 · Intense 1
Steady 5 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 5
Slow burn 3 · Even-paced 6 · Relentless 1
Casual 9 · Engaged 1 · Full focus 0
Easy watch 8 · Affecting 2 · Heavy 0
Resolved 10 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Albert Beich's films?
As of October 24, 2026, 3 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Albert Beich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 10 with a MovieCove page.
The Perils of Pauline(1967)
Midcredits score: 29th percentile of all filmsKentucky Jones (not in the MovieCove catalog yet)(1964)
Dead Ringer(1963)
Midcredits score: 90th percentile of all films
A Distant Trumpet(1964)
Midcredits score: 56th percentile of all films
The Barbara Stanwyck Show (not in the MovieCove catalog yet)(1960)
Midcredits score: 36th percentile of all films
The Milkman (not in the MovieCove catalog yet)(1950)
The Yellow Cab Man(1950)
Midcredits score: 56th percentile of all films
Key to the City(1950)
Midcredits score: 56th percentile of all films
The Bride Goes Wild(1948)
Midcredits score: 50th percentile of all films
Gay Blades (not in the MovieCove catalog yet)(1946)
Gangs of the Waterfront (not in the MovieCove catalog yet)(1945)
The Chicago Kid (not in the MovieCove catalog yet)(1945)
End of the Road (not in the MovieCove catalog yet)(1944)
The West Side Kid(1943)
Midcredits score: 37th percentile of all films (provisional, few ratings)
Girls in Chains(1943)
Midcredits score: 8th percentile of all films
You Can't Beat the Law (not in the MovieCove catalog yet)(1943)
Campus Rhythm(1943)
Midcredits score: 22nd percentile of all films
Career shape
A full career of 16 titles from 1943 to 1967.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Albert Beich's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th3
- Below 25th2
Shape of the crowd
3 of their 10 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed3
Reviewers score the dialogue 42/100 and the plot and story 36/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Albert Beich work with?
People who share at least 2 of Albert Beich's MovieCove titles, grouped by what they did on them; William H. Wright shares the most, 3.
Actors
- Peter LawfordShared titles: Dead Ringer (1963), The West Side Kid (1943)See all 2 shared titles with Peter Lawford
- James GleasonShared titles: Key to the City (1950), The Yellow Cab Man (1950)See all 2 shared titles with James Gleason
Cinematographers
- Jack A. MartaShared titles: The Perils of Pauline (1967), The West Side Kid (1943)See all 2 shared titles with Jack A. Marta
Producers
- William H. WrightShared titles: A Distant Trumpet (1964), Dead Ringer (1963), The Bride Goes Wild (1948)See all 3 shared titles with William H. Wright