Neftali Beltrán
- Writer
- 4 on MovieCove
What are Neftali Beltrán's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 0 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 3 · Charged 0 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 3
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Neftali Beltrán's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Neftali Beltrán's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
La ausente(1952)
Midcredits score: 69th percentile of all films (provisional, few ratings)
Ella y yo(1951)
Midcredits score: 27th percentile of all films (provisional, few ratings)
Bésame mucho(1945)
Midcredits score: 40th percentile of all films (provisional, few ratings)
La hija del regimiento(1944)
Midcredits score: 16th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 4 MovieCove titles from 1944 to 1952.
How do Neftali Beltrán's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Neftali Beltrán work with?
People who share at least 2 of Neftali Beltrán's MovieCove titles, grouped by what they did on them; Raúl Martínez Solares shares the most, 3.
Actors
- Consuelo Guerrero de LunaShared titles: Ella y yo (1951), La hija del regimiento (1944)See all 2 shared titles with Consuelo Guerrero de Luna
Cinematographers and editors
- Raúl Martínez SolaresShared titles: Ella y yo (1951), Bésame mucho (1945), La hija del regimiento (1944)See all 3 shared titles with Raúl Martínez Solares
- Jorge BustosShared titles: Ella y yo (1951), Bésame mucho (1945)See all 2 shared titles with Jorge Bustos