Bob Bender

What are Bob Bender's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bob Bender's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

• Disney+2 titles, browse their movies on this service
  • Anastasia (1997) · editor
  • Titan A.E. (2000) · editor
• Paramount+1 title, browse their movies on this service
  • Anastasia (1997) · editor
• Prime Video1 title, browse their movies on this service
  • Titan A.E. (2000) · editor

Subscription and free streaming for Bob Bender's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

• 

  Thru the Moebius Strip(2005)

  Editor

  Midcredits score: 19th percentile of all films19^th
• 

  Kingdom Under the Sea: The Gift (not in the MovieCove catalog yet)(2004)

  Editor
• 

  Titan A.E.(2000)

  Editor

  Midcredits score: 66th percentile of all films66^th
• 

  Bartok the Magnificent(1999)

  Editor

  Midcredits score: 49th percentile of all films49^th
• 

  Anastasia(1997)

  Editor

  Midcredits score: 90th percentile of all films90^th

Career shape

A full career of 4 titles from 1997 to 2004.

Biggest box office

Anastasia (1997)

$140M worldwide

Highest rated

Anastasia (1997)

Midcredits 90^th

How do Bob Bender's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58^th percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Crowd Pleasers.

13

• Cult Classic1
• Crowd Pleaser3

Most divisive · editor

Thru the Moebius Strip (2005)

76^th percentile spread · 34% rated it 4 or lower

Most loved · editor

Anastasia (1997)

Midcredits 90^th · 74% liked

Reviewers score the pacing 46/100 in their films, across 4 reviewed titles; fans 61, detractors 29. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bob Bender work with?

People who share at least 2 of Bob Bender's MovieCove titles, grouped by what they did on them; Don Bluth shares the most, 3.