- Composer and producer
- 9 on MovieCove · 12 credits in all
What are Vassal Benford's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
Light 6 · Serious 1 · Dark 1
A split, not a type: Grounded 4 · Stylized 3 · Heightened 1
Gentle 3 · Charged 3 · Intense 2
Steady 3 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 3
Slow burn 3 · Even-paced 3 · Relentless 2
Casual 7 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vassal Benford's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Vassal Benford's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 9 with a MovieCove page.
After We Collided(2020)
Midcredits score: 29th percentile of all films
After(2019)
Midcredits score: 29th percentile of all films
Midcredits score: 35th percentile of all films
The Sixth Man(1997)
Midcredits score: 38th percentile of all films
The Associate(1996)
Midcredits score: 53rd percentile of all films
Class Act(1992)
Midcredits score: 47th percentile of all films
House Party 2(1991)
Midcredits score: 28th percentile of all films
New Jack City(1991)
Midcredits score: 71st percentile of all films
The Running Man(1987)
Midcredits score: 65th percentile of all filmsBB King: The King of the Blues (not in the MovieCove catalog yet)
Sexual Healing (not in the MovieCove catalog yet)
Untitled B.B. King Documentary (not in the MovieCove catalog yet)
Career shape
A full career of 11 titles, 8 of them dated from 1987 to 2020.
Biggest box office
After (2019)
Highest rated
New Jack City (1991)
Most popular right now
The Running Man (1987)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Vassal Benford's films land?
Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 37th percentile for acclaim.
- 50th to 74th3
- 25th to 49th6
Shape of the crowd
4 of their 9 titles are Mixed.
- Divisive1
- Cult Classic2
- Crowd Pleaser2
- Mixed4
Reviewers score the sound and music 53/100 in their films, across 7 reviewed titles; fans 63, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Vassal Benford's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Vassal Benford work with?
People who share at least 2 of Vassal Benford's MovieCove titles, grouped by what they did on them; Francis Kenny shares the most, 3.
Directors
- Randall MillerShared titles: The Sixth Man (1997), Class Act (1992)See all 2 shared titles with Randall Miller
Writers
- Anna ToddShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Anna Todd
Actors
- Hero Fiennes TiffinShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Hero Fiennes Tiffin
- Inanna SarkisShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Inanna Sarkis
- Josephine LangfordShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Josephine Langford
- Selma BlairShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Selma Blair
Composers and cinematographers
- Francis KennyShared titles: Class Act (1992), House Party 2 (1991), New Jack City (1991)See all 3 shared titles with Francis Kenny
- Justin Caine BurnettShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Justin Caine Burnett
Producers
- Aron LevitzShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Aron Levitz
- Brian PittShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Brian Pitt
- Courtney SolomonShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Courtney Solomon
- Eric LehrmanShared titles: After We Collided (2020), After (2019)See all 2 shared titles with Eric Lehrman
