Ray Bengston is an Actor, Director,Producer and Photographer known for To Have and to Hold (2014), Alone Yet Not Alone (2013) and The Visit (2015). He is married to Barbara Divisek. They have two children.
Biography from TMDB.
- Los Angeles, CA
- Actor, director and producer
- 10 on MovieCove
What are Ray Bengston's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 1 · Charged 3 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Roles they play
- Mentoras Ray Hess in Christmas Love Letter (2019)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ray Bengston's films?
As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ray Bengston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Midcredits score: 14th percentile of all shows
Christmas Love Letter(2019)
Midcredits score: 43rd percentile of all films
Miracle Workers(2019)
Midcredits score: 53rd percentile of all shows
The Conway Curve(2017)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Ozark(2017)
Midcredits score: 98th percentile of all shows
To Have and to Hold(2014)
Midcredits score: 22nd percentile of all films (provisional, few ratings)
Alone Yet Not Alone(2013)
Midcredits score: 31st percentile of all films
Waist Deep(2006)
Midcredits score: 39th percentile of all films
7th Heaven(1996)
Midcredits score: 9th percentile of all shows
Midcredits score: 88th percentile of all films
Career shape
Star power in the 39th percentile of 239,109 people with a billed film role, over a full career of 10 titles from 1984 to 2022.
Biggest box office
Alone Yet Not Alone (2013)
Highest rated
Christmas Love Letter (2019)
Most popular right now
To Have and to Hold (2014)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ray Bengston's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th4
- Below 25th3
Shape of the crowd
4 of their 10 titles are Mixed.
- Universally Loved2
- Divisive3
- Crowd Pleaser1
- Mixed4
Reviewers score the acting 52/100 in their films, across 3 reviewed titles; fans 69, detractors 29. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ray Bengston work with?
People who share at least 2 of Ray Bengston's MovieCove titles, grouped by what they did on them; James Richards shares the most, 2.
Writers
- James RichardsShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with James Richards
Actors
- Joanie StewartShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with Joanie Stewart
- Kelly GreysonShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with Kelly Greyson
Composers
- William RossShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with William Ross
Producers
- Barbara DivisekShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with Barbara Divisek
- Kassi CrewsShared titles: To Have and to Hold (2014), Alone Yet Not Alone (2013)See all 2 shared titles with Kassi Crews
