John B. Bennett
- Producer
- 5 on MovieCove
What are John B. Bennett's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 3
Light 1 · Serious 3 · Dark 1
Grounded 4 · Stylized 0 · Heightened 1
Gentle 1 · Charged 3 · Intense 1
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John B. Bennett's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Pluto TV (1).
Subscription and free streaming for John B. Bennett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Forced Vengeance(1982)
Midcredits score: 32nd percentile of all films
Midcredits score: 32nd percentile of all films
Midcredits score: 70th percentile of all films
Private Parts(1972)
Midcredits score: 57th percentile of all films
Watermelon Man(1970)
Midcredits score: 70th percentile of all films
Career shape
A full career of 4 titles from 1970 to 1982.
How do John B. Bennett's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 50th to 74th3
- 25th to 49th2
Shape of the crowd
None of their 5 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is John B. Bennett's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does John B. Bennett work with?
People who share at least 2 of John B. Bennett's MovieCove titles; Leigh Hamilton shares the most, 2.
- Leigh HamiltonShared titles: Forced Vengeance (1982), A Man, a Woman and a Bank (1979)See all 2 shared titles with Leigh Hamilton
- Carl KressShared titles: A Man, a Woman and a Bank (1979), Watermelon Man (1970)See all 2 shared titles with Carl Kress