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Andrew Bennison

Writer

Works as
Writer
Titles
3 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 41% in 30 days

What are Andrew Bennison's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
47%
Bonds
37%
Power
11%
Society
5%
Deception3 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 0 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 1 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 0 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
2
Absurd
2
Thrilling
1
Romantic
1
Tense
1
Other
1

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Bennison's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Andrew Bennison's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Pot o' Gold(1941)

    Writer

    Midcredits score: 42nd percentile of all films

  • You'll Find Out(1940)

    Writer

    Midcredits score: 44th percentile of all films

  • Chip of the Flying U (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Oily to Bed, Oily to Rise (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Desperate Trails (not in the MovieCove catalog yet)(1939)

    Screenplay

  • A Ducking They Did Go (not in the MovieCove catalog yet)(1939)

    Writer

  • Back to the Woods (not in the MovieCove catalog yet)(1937)

    Writer

  • Lawless Land(1936)

    Adaptation · Screenplay · Story

    Midcredits score: 21st percentile of all films

  • Undercover Man (not in the MovieCove catalog yet)(1936)

    Adaptation · Story

  • Pardon My Scotch (not in the MovieCove catalog yet)(1935)

    Writer

  • Perfectly Mismated (not in the MovieCove catalog yet)(1934)

    Story

  • This Sporting Age (not in the MovieCove catalog yet)(1932)

    Director

  • Ireno (not in the MovieCove catalog yet)(1932)

    Story

  • On the Level (not in the MovieCove catalog yet)(1930)

    Screenplay · Story

  • Let's Go Places (not in the MovieCove catalog yet)(1930)

    Story

  • Words and Music (not in the MovieCove catalog yet)(1929)

    Writer

  • Chasing Through Europe (not in the MovieCove catalog yet)(1929)

    Story

  • Strong Boy (not in the MovieCove catalog yet)(1929)

    Writer

  • The Sin Sister (not in the MovieCove catalog yet)(1929)

    Writer

  • Captain Lash (not in the MovieCove catalog yet)(1929)

    Writer

  • Red Wine (not in the MovieCove catalog yet)(1928)

    Writer

  • The Air Circus (not in the MovieCove catalog yet)(1928)

    Story

  • A Thief in the Dark (not in the MovieCove catalog yet)(1928)

    Story

  • Woman Wise (not in the MovieCove catalog yet)(1928)

    Writer

  • The Wizard (not in the MovieCove catalog yet)(1927)

    Writer

  • Publicity Madness (not in the MovieCove catalog yet)(1927)

    Screenplay

  • A Man About Town (not in the MovieCove catalog yet)(1927)

    Writer

  • Defying the Law (not in the MovieCove catalog yet)(1924)

    Writer

  • The Lullaby (not in the MovieCove catalog yet)(1924)

    Writer

  • Divorce (not in the MovieCove catalog yet)(1923)

    Story

Career shape

A full career of 28 titles from 1923 to 1939.

Highest rated

You'll Find Out (1940)

Midcredits 44th

By role

only this rolewith another role
Directing1 of 28: 1 only directing, 0 with another roleWriting27 of 28: 27 only writing, 0 with another role

By decade

1920s15 · crew1930s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Andrew Bennison's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 3

Approval · how many liked their films

39thpercentile
Typical film, the median of 3

Reach · how many have seen their films

49thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Mixed.

  • Broadly Agreed1
  • Mixed2

Most loved · writer

You'll Find Out (1940)

Midcredits 44th · 44% liked

Reviewers score the dialogue 53/100 and the plot and story 40/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Bennison work with?

People who share at least 2 of Andrew Bennison's MovieCove titles; Monte Brice shares the most, 2.