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Ned Benson

Ned Benson

Writer, director and producer · Born April 3, 1977 (49) · New York, New York, U.S.A.

Cannes award nominee

Ned Benson (born April 3, 1977) is an American filmmaker. He attended Deerfield Academy and graduated from Columbia University in 2001. Benson had a long-term relationship with Jessica Chastain, but they broke up in 2010. After working on The Westerner, Benson made his directorial debut film, The Disappearance of Eleanor Rigby. After Chastain asked questions about the background, Benson wrote another script devoted entirely to her perspective, and she joined the cast. It was shot as two films simultaneously. They were premiered at the 2013 Toronto International Film Festival under the title The Disappearance of Eleanor Rigby: Him and Her.Benson later edited the films into one film, The Disappearance of Eleanor Rigby: Them, which premiered at the 2014 Cannes Film Festival. The Weinstein Company had a limited release in September 2014. On January 16, 2019, Benson and Jac Schaeffer served as story writers for Black Widow. He was later replaced by Eric Pearson. Description above from the Wikipedia article Ned Benson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
April 3, 1977 (49)
From
New York, New York, U.S.A.
Works as
Writer, director and producer
Titles
5 on MovieCove · 9 credits in all

What are Ned Benson's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
35%
Self
33%
Bonds
23%
Morality
5%
Society
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 3

Grounded 4 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 1

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 1

Casual 1 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 2 · Heavy 3

Resolved 1 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Bittersweet
3
Tense
2
Contemplative
2
Romantic
1
Other
2

How their films end

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ned Benson's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ned Benson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 5 with a MovieCove page.

  • The Greatest Hits(2024)

    Director · Producer · Writer

    Midcredits score: 54th percentile of all films
  • Black Widow(2021)

    Story

    Midcredits score: 68th percentile of all films
  • The Disappearance of Eleanor Rigby: Her(2013)

    Director · Producer · Writer

    Midcredits score: 75th percentile of all films
  • The Disappearance of Eleanor Rigby: Him(2013)

    Director · Producer · Writer

    Midcredits score: 75th percentile of all films
  • The Disappearance of Eleanor Rigby: Them(2014)

    Director · Producer · Writer

    Midcredits score: 51st percentile of all films
  • The Westerner (not in the MovieCove catalog yet)(2010)

    Director · Producer · Writer

  • Yes (not in the MovieCove catalog yet)(2010)

    Director · Producer · Writer

  • Four Lean Hounds (not in the MovieCove catalog yet)(2003)

    Director · Writer

  • Featherwood (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 9 titles, 8 of them dated from 2003 to 2024.

By role

only this rolewith another role
Directing7 of 9: 0 only directing, 7 with another roleWriting9 of 9: 2 only writing, 7 with another role · typical Midcredits score68thProducing6 of 9: 0 only producing, 6 with another role

9 titles, 7 with more than one role — writing and directing overlap on 7 of them.

By decade

2000s1 · crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for 2 Cannes awards in 2014.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Ned Benson's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 5

Approval · how many liked their films

65thpercentile
Typical film, the median of 5

Reach · how many have seen their films

88thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th3

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed1

Reviewers score the dialogue 50/100 and the plot and story 45/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ned Benson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 30 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ned Benson work with?

People who share at least 2 of Ned Benson's MovieCove titles, grouped by what they did on them; Ryan Lott shares the most, 4.

Actors

Composers, cinematographers and editors

Producers