- Writer and producer
- 7 on MovieCove · 10 credits in all
Known for
What are Christine Berardo's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 5 · Stylized 0 · Heightened 1
Gentle 1 · Charged 3 · Intense 2
Steady 1 · Shifting 5 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 5 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 3
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Christine Berardo's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Christine Berardo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 7 with a MovieCove page.
The Pilot's Wife(2002)
Midcredits score: 24th percentile of all films
Midcredits score: 43rd percentile of all films
Total Stranger(1999)
Midcredits score: 25th percentile of all films
Nicholas’ Gift (not in the MovieCove catalog yet)(1998)
Because Mommy Works (not in the MovieCove catalog yet)(1994)
Midcredits score: 53rd percentile of all shows
Overexposed (not in the MovieCove catalog yet)(1992)
Children of the Night(1985)
Midcredits score: 20th percentile of all films
Midcredits score: 42nd percentile of all films
The Phantom of the Opera(1983)
Midcredits score: 25th percentile of all films
Career shape
A full career of 8 titles from 1983 to 2002.
How do Christine Berardo's films land?
Their typical MovieCove film has a Midcredits score in the 25th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 50th to 74th1
- 25th to 49th4
- Below 25th2
Shape of the crowd
6 of their 7 titles are Mixed.
- Crowd Pleaser1
- Mixed6
Reviewers score the dialogue 41/100 and the plot and story 39/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Christine Berardo work with?
People who share at least 2 of Christine Berardo's MovieCove titles, grouped by what they did on them; Robert Markowitz shares the most, 3.
Directors
- Robert MarkowitzShared titles: The Pilot's Wife (2002), Children of the Night (1985), The Phantom of the Opera (1983)See all 3 shared titles with Robert Markowitz
Actors
- Jane SeymourShared titles: Dr. Quinn, Medicine Woman (1993), The Phantom of the Opera (1983)See all 2 shared titles with Jane Seymour
Editors
- David HoldenShared titles: Dr. Quinn, Medicine Woman (1993), The Black Stallion Returns (1983)See all 2 shared titles with David Holden