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Bibo Bergeron

Bibo Bergeron

Director and writer · Born September 10, 1950 (76) · Paris, France

Eric "Bibo" Bergeron is a French animator and film director. His work includes The Road to El Dorado (2000), Shark Tale (2004) and A Monster in Paris (2011). Bergeron has served as animator on films like Asterix in Britain (1986), Asterix and the Big Fight (1989), Fievel Goes West (1991), FernGully: The Last Rainforest (1992), We're Back! A Dinosaur's Story (1993), All Dogs Go to Heaven 2 (1996), A Goofy Movie (1995), and The Adventures of Pinocchio (1996). He also worked as storyboard artist on Sinbad: Legend of the Seven Seas (2003), The Madagascar Penguins in a Christmas Caper (2005) and Flushed Away (2006). In 1993 Bergeron founded the animation studio "Bibo Films" in France. He directed the 2011 film A Monster in Paris which he dedicated to his father. Bergeron is an alumnus of the Gobelins School of the Image. After being taken into police custody at the end of 2019, Éric Bergeron was indicted for sexual harassment and rape in early January 2020, in connection with a case related to the production of the film A Monster in Paris. The alleged incidents (which he denies) date back to 2007. Description above from the Wikipedia article Bibo Bergeron, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
September 10, 1950 (76)
From
Paris, France
Works as
Director and writer
Titles
10 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 33% in 30 days

What are Bibo Bergeron's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

A split, not a type: Grounded 0 · Stylized 2 · Heightened 1

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 1 · Funny 2

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Thrilling
2
Manic
1
Bittersweet
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bibo Bergeron's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on The Roku Channel (5).

Subscription and free streaming for Bibo Bergeron's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Struck (not in the MovieCove catalog yet)(2015)

    Director · Screenplay

  • A Monster in Paris(2011)

    Director · Screenplay · Story

    Midcredits score: 79th percentile of all films
  • French Roast (not in the MovieCove catalog yet)(2008)

    Producer

  • Club Oscar (not in the MovieCove catalog yet)(2005)

    Director

  • Woofy (not in the MovieCove catalog yet)(2004)

    Show 65 episodes · Storyboard Artist

  • Shark Tale(2004)

    Director

    Midcredits score: 41st percentile of all films
  • Family Tree (not in the MovieCove catalog yet)(2003)

    as Airport Announcer

  • The Road to El Dorado(2000)

    Director

    Midcredits score: 81st percentile of all films
  • Dobermann(1997)

    Animation

    Midcredits score: 67th percentile of all films
  • All Dogs Go to Heaven 2(1996)

    Animation Director

    Midcredits score: 32nd percentile of all films
  • A Goofy Movie(1995)

    Animation

    Midcredits score: 82nd percentile of all films
  • We're Back! A Dinosaur's Story(1993)

    Supervising Animator

    Midcredits score: 49th percentile of all films
  • Midcredits score: 68th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Midcredits score: 57th percentile of all films

Career shape

A full career of 15 titles from 1989 to 2015.

By role

only this rolewith another role
Acting1 of 15: 1 only acting, 0 with another roleDirecting5 of 15: 3 only directing, 2 with another roleWriting2 of 15: 0 only writing, 2 with another roleProducing1 of 15: 1 only producing, 0 with another roleOther crew8 of 15: 8 only other crew, 0 with another role · typical Midcredits score61st

By decade

1980s1 · crew1990s6 · crew2000s6 · 1 acting · 5 crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bibo Bergeron's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 10; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 3

Approval · how many liked their films

71stpercentile
Typical film, the median of 3

Reach · how many have seen their films

98thpercentile
Typical film, the median of 3

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th3

Shape of the crowd

None of their 10 titles divides audiences: 8 are Crowd Pleasers.

  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed1

Reviewers score the atmosphere 67/100 and the pacing 52/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bibo Bergeron's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 35 · mildMedian of all films: 44
Sex & Nudity3 titlesmedian 31 · mildMedian of all films: 32
Profanity3 titlesmedian 26 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 32 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 35 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Bibo Bergeron work with?

People who share at least 2 of Bibo Bergeron's MovieCove titles, grouped by what they did on them; Hans Zimmer shares the most, 2.

Composers

Producers