Max Berghaus
- Composer
- 3 on Motif
What are Max Berghaus' films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 0 · Whiplash 2
Straight-faced 0 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Max Berghaus' films?
As of October 29, 2026, none of Max Berghaus' 3 Motif titles is streaming on a subscription or free service.
Subscription and free streaming for Max Berghaus' titles on Motif; rent and buy are not counted.
Filmography
3 credits, 3 with a Motif page.
Helen, Fred und Ted(2006)
Motif score: 66th percentile of all films (provisional, few ratings)
Barefoot(2005)
Motif score: 81st percentile of all films
Peas at 5:30(2004)
Motif score: 78th percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 2004 to 2006.
Biggest box office
Barefoot (2005)
Highest rated
Barefoot (2005)
Most popular right now
Helen, Fred und Ted (2006)
Counts over their Motif titles; a title counts in every role they held on it.
How do Max Berghaus' films land?
Their typical Motif film has a Motif score in the 78th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Max Berghaus work with?
People who share at least 2 of Max Berghaus' Motif titles, grouped by what they did on them; Stefan Hansen shares the most, 3.
Composers
- Stefan HansenShared titles: Helen, Fred und Ted (2006), Barefoot (2005), Peas at 5:30 (2004)See all 3 shared titles with Stefan Hansen
- Dirk ReichardtShared titles: Barefoot (2005), Peas at 5:30 (2004)See all 2 shared titles with Dirk Reichardt
Producers
- Til SchweigerShared titles: Barefoot (2005), Peas at 5:30 (2004)See all 2 shared titles with Til Schweiger
