Emmett Bergholz
Cinematographer · Died April 30, 1988, aged 77 · New York, USA
- July 31, 1910
- April 30, 1988 (aged 77)
- New York, USA
- Cinematographer
- 6 on MovieCove · 11 credits in all
Known for
What are Emmett Bergholz's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 4 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Emmett Bergholz's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Emmett Bergholz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 6 with a MovieCove page.
T.J. Hooker(1982)
Midcredits score: 15th percentile of all shows
A Cry for Justice (not in the MovieCove catalog yet)(1979)
Last of the Good Guys (not in the MovieCove catalog yet)(1978)
Fantasy Island(1977)
Midcredits score: 31st percentile of all shows
No Margin for Error(1978)
Midcredits score: 85th percentile of all films (provisional, few ratings)
Cop on the Beat(1975)
Midcredits score: 41st percentile of all films (provisional, few ratings)
Midcredits score: 26th percentile of all films
The Boy and the Bronc Buster (not in the MovieCove catalog yet)(1973)
Ghost Story (not in the MovieCove catalog yet)(1972)
Midcredits score: 38th percentile of all films (provisional, few ratings)
The Young and the Brave (not in the MovieCove catalog yet)(1963)
Career shape
A full career of 9 titles from 1963 to 1982.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Emmett Bergholz's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up1
- 25th to 49th4
- Below 25th1
Shape of the crowd
2 of their 6 titles are Cult Classics.
- Cult Classic2
- Broadly Agreed2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Emmett Bergholz work with?
People who share at least 2 of Emmett Bergholz's MovieCove titles, grouped by what they did on them; Tom Drake shares the most, 3.
Directors
- Virgil W. VogelShared titles: No Margin for Error (1978), Cop on the Beat (1975)See all 2 shared titles with Virgil W. Vogel
Writers
- Mark RodgersShared titles: No Margin for Error (1978), Cop on the Beat (1975)See all 2 shared titles with Mark Rodgers
Actors
- Tom DrakeShared titles: A Matter of Wife... and Death (1975), Cop on the Beat (1975), The Boy Who Stole the Elephant (1970)See all 3 shared titles with Tom Drake
Composers
- Richard ShoresShared titles: No Margin for Error (1978), A Matter of Wife... and Death (1975)See all 2 shared titles with Richard Shores
Producers
- David GerberShared titles: No Margin for Error (1978), Cop on the Beat (1975)See all 2 shared titles with David Gerber