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Reginald Berkeley

Writer · Died March 30, 1935, aged 44 · London, England, UK

From Wikipedia, the free encyclopedia Reginald Cheyne Berkeley MC (18 August 1890 – 30 March 1935)) was a Liberal Party politician in the United Kingdom, and later a writer of stage plays, then a screenwriter in Hollywood. He had trained as a lawyer. He died in Los Angeles from pneumonia after an operation. His son Humphry Berkeley was a Conservative MP in the United Kingdom. His stage plays include The Lady With The Lamp (1929), based on the life of Florence Nightingale and starring Edith Evans in the title role, and The Man I Killed (1931), which was adapted for the screen as Broken Lullaby the following year. His play French Leave(1920) was filmed twice, once in 1930, and again in 1937. His screenwriting credits include Dreyfus (1931), Cavalcade (1933), The World Moves On (1934), Carolina (1934) and Nurse Edith Cavell (1939). He died in 1935 in the Good Samaritan Hospital, Los Angeles aged 44 from pneumonia following a major operation. He was residing at 606 North Crescent Drive, Beverly Hills. He had married Gwendoline Cock in 1914 and Clara Hildegarde Digby in 1926.

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Biography from TMDB.

Born
August 18, 1890
Died
March 30, 1935 (aged 44)
From
London, England, UK
Works as
Writer
Titles
6 on MovieCove · 17 credits in all
TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Reginald Berkeley's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 3 · Dark 3

Grounded 4 · Stylized 2 · Heightened 0

Gentle 1 · Charged 4 · Intense 1

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 5 · Full focus 0

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Contemplative
4
Tense
2
Bittersweet
3
Warm
1
Other
1

How their films end · 1 with a twist

  • Happy2
  • Bittersweet1
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Reginald Berkeley's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Reginald Berkeley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 6 with a MovieCove page.

  • Frantz(2016)

    Writer

    Midcredits score: 94th percentile of all films
  • The Lady with a Lamp(1951)

    Theatre Play

    Midcredits score: 56th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Marie Galante(1934)

    Screenplay

    Midcredits score: 17th percentile of all films
  • The World Moves On(1934)

    Screenplay · Story

    Midcredits score: 39th percentile of all films
  • Carolina (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Cavalcade(1933)

    Screenplay · Writer

    Midcredits score: 30th percentile of all films
  • Lucky Girl (not in the MovieCove catalog yet)(1932)

    Theatre Play

  • Broken Lullaby (not in the MovieCove catalog yet)(1932)

    Adaptation

  • 77 Park Lane (not in the MovieCove catalog yet)(1931)

    Dialogue

  • Dreyfus (not in the MovieCove catalog yet)(1931)

    Writer

  • French Leave (not in the MovieCove catalog yet)(1930)

    Screenplay · Theatre Play

  • The Nipper (not in the MovieCove catalog yet)(1930)

    Writer

  • Wolves (not in the MovieCove catalog yet)(1930)

    Writer

  • The Loves of Robert Burns (not in the MovieCove catalog yet)(1930)

    Dialogue · Screenplay · Story

  • The Wrecker (not in the MovieCove catalog yet)(1929)

    Writer

  • Dawn (not in the MovieCove catalog yet)(1928)

    Story

Career shape

A full career of 16 titles from 1928 to 1951.

By role

only this rolewith another role
Writing16 of 16: 16 only writing, 0 with another role · typical Midcredits score39th

By decade

1920s2 · crew1930s13 · crew1950s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Reginald Berkeley's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 6

Approval · how many liked their films

43rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

31stpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 6 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed1

Reviewers score the dialogue 45/100 and the plot and story 52/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Reginald Berkeley work with?

People who share at least 2 of Reginald Berkeley's MovieCove titles, grouped by what they did on them; Winfield R. Sheehan shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers