Barry Bernardi

Producer · Born January 1, 1970 (56)

Primetime Emmy nominee

Born: January 1, 1970 (56)
Works as: Producer
Titles: 77 on MovieCove · 82 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 23% in 30 days

What are Barry Bernardi's films like?

Across their 57 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy18 titles38^th

Action11 titles26^th

Horror9 titles20^th

Adventure6 titles27^th

Drama5 titles41^st

Crime4 titles45^th

Biography2 titles26^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

34%

Self

24%

Morality

22%

Survival

12%

Power

Society

Ideas

Family bonds19 Justice11 Friendship10 Self-worth10 Survival10 Identity9 Romantic love6 Redemption6

What they feel like to watch

their average across 57 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 2 · Wry 4 · Earnest 49

Serious

Tone · Weight

lightdark

A split, not a type: Light 28 · Serious 14 · Dark 15

Stylized

Tone · Style

naturalisticheightened

A split, not a type: Grounded 30 · Stylized 23 · Heightened 4

Charged

Feel · Intensity

gentleintense

Gentle 19 · Charged 23 · Intense 15

Shifting

Feel · Swings

steadyswings

Steady 22 · Shifting 29 · Whiplash 6

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 22 · Some laughs 10 · Funny 25

Even-paced

Demand · Pace

slowrelentless

Slow burn 12 · Even-paced 43 · Relentless 2

Casual

Demand · Attention

casualfull focus

Casual 37 · Engaged 14 · Full focus 6

Easy watch

Demand · Emotional cost

easyheavy

Easy watch 32 · Affecting 17 · Heavy 8

Resolved

Demand · Resolution

resolvedambiguous

Resolved 50 · Open-ended 6 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

Absurd

Joyful

Dread

Thrilling

Other

How their films linger

Fun29 Feel-good26 Hopeful15 Unsettling14 Bittersweet11 Thought-provoking7

How their films end · 10 with a twist

Happy31
Bittersweet16
Tragic1
Ambiguous8
Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Barry Bernardi's films?

As of October 24, 2026, 63 of their 77 MovieCove titles stream on a subscription or free service, most on Tubi (23).

Also on these channels

Sony Pictures Core5 titles, show their 5 titles on Sony Pictures Core
Howdy3 titles, show their 3 titles on Howdy
MovieSphere+2 titles, show their 2 titles on MovieSphere+
Best of British Television1 title, show their title on Best of British Television
Lifetime Movie Club1 title, show their title on Lifetime Movie Club
ScreenPix1 title, show their title on ScreenPix

Subscription and free streaming for Barry Bernardi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

82 credits, 77 with a MovieCove page.

Happy Gilmore 2(2025)
Executive Producer
Midcredits score: 47th percentile of all films
Kinda Pregnant(2025)
Executive Producer
Midcredits score: 9th percentile of all films
Adam Sandler: Love You(2024)
Executive Producer
Midcredits score: 74th percentile of all films
Spaceman(2024)
Executive Producer
Midcredits score: 44th percentile of all films
Leo(2023)
Executive Producer
Midcredits score: 80th percentile of all films
You Are So Not Invited to My Bat Mitzvah(2023)
Executive Producer
Midcredits score: 40th percentile of all films
The Out-Laws(2023)
Executive Producer
Midcredits score: 18th percentile of all films
Murder Mystery 2(2023)
Executive Producer
Midcredits score: 29th percentile of all films
Hustle(2022)
Executive Producer
Midcredits score: 93rd percentile of all films
Home Team(2022)
Executive Producer
Midcredits score: 37th percentile of all films
Hubie Halloween(2020)
Executive Producer
Midcredits score: 23rd percentile of all films
The Wrong Missy(2020)
Executive Producer · Producer
Midcredits score: 39th percentile of all films
Murder Mystery(2019)
Executive Producer
Midcredits score: 41st percentile of all films
Adam Sandler: 100% Fresh(2018)
Executive Producer
Midcredits score: 92nd percentile of all films
The Week Of(2018)
Executive Producer
Midcredits score: 20th percentile of all films
Father of the Year(2018)
Producer
Midcredits score: 15th percentile of all films
Sandy Wexler(2017)
Executive Producer
Midcredits score: 19th percentile of all films
The Do-Over(2016)
Executive Producer
Midcredits score: 26th percentile of all films
The Ridiculous 6(2015)
Executive Producer
Midcredits score: 13th percentile of all films
Pixels(2015)
Executive Producer
Midcredits score: 26th percentile of all films
Blended(2014)
Executive Producer
Midcredits score: 61st percentile of all films
Grown Ups 2(2013)
Executive Producer
Midcredits score: 30th percentile of all films
That's My Boy(2012)
Executive Producer
Midcredits score: 30th percentile of all films
Jack and Jill(2011)
Executive Producer
Midcredits score: 1st percentile of all films
Zookeeper(2011)
Executive Producer · Second Unit Director · as Cab Driver
Midcredits score: 16th percentile of all films
Just Go with It(2011)
Executive Producer
Midcredits score: 60th percentile of all films
Grown Ups(2010)
Executive Producer
Midcredits score: 50th percentile of all films
Paul Blart: Mall Cop(2009)
Producer
Midcredits score: 19th percentile of all films
You Don't Mess with the Zohan(2008)
Executive Producer
Midcredits score: 32nd percentile of all films
I Now Pronounce You Chuck & Larry(2007)
Executive Producer
Midcredits score: 36th percentile of all films
Click(2006)
Executive Producer
Midcredits score: 57th percentile of all films
The Benchwarmers(2006)
Executive Producer
Midcredits score: 29th percentile of all films
The Longest Yard(2005)
Executive Producer
Midcredits score: 59th percentile of all films
The Haunted Mansion(2003)
Executive Producer
Midcredits score: 23rd percentile of all films
Anger Management(2003)
Producer
Midcredits score: 49th percentile of all films
The Master of Disguise(2002)
Producer · as Bernardo
Midcredits score: 4th percentile of all films
The Animal(2001)
Producer
Midcredits score: 9th percentile of all films
Double Take(2001)
Executive Producer
Midcredits score: 25th percentile of all films
Deuce Bigalow: Male Gigolo(1999)
Producer
Midcredits score: 29th percentile of all films
Inspector Gadget(1999)
Executive Producer
Midcredits score: 3rd percentile of all films
My Favorite Martian(1999)
Executive Producer
Midcredits score: 16th percentile of all films
The Jungle Book: Mowgli's Story(1998)
Executive Producer
Midcredits score: 11th percentile of all films
Deep Rising(1998)
Executive Producer
Midcredits score: 48th percentile of all films
The Devil's Advocate(1997)
Executive Producer
Midcredits score: 94th percentile of all films
Honey, We Shrunk Ourselves!(1997)
Producer
Midcredits score: 15th percentile of all films
The Making of a Hollywood Madam(1996)
Producer
Midcredits score: 13th percentile of all films
Tom and Huck(1995)
Executive Producer
Midcredits score: 27th percentile of all films
Night of the Scarecrow(1995)
Producer
Midcredits score: 20th percentile of all films
The Set Up(1995)
Executive Producer
Midcredits score: 8th percentile of all films
Live Nude Girls(1995)
Producer
Midcredits score: 27th percentile of all films
Death of a Cheerleader(1994)
Producer
Midcredits score: 48th percentile of all films
Cabin Boy(1994)
Executive Producer
Midcredits score: 26th percentile of all films
To My Daughter with Love(1994)
Producer
Midcredits score: 70th percentile of all films
Shameful Secrets(1993)
Producer
Midcredits score: 35th percentile of all films
Amityville: A New Generation(1993)
Executive Producer
Midcredits score: 3rd percentile of all films
Miracle Child (not in the MovieCove catalog yet)(1993)
Producer
The Adventures of Huck Finn(1993)
Executive Producer
Midcredits score: 50th percentile of all films
A Murderous Affair: The Carolyn Warmus Story(1992)
Producer
Midcredits score: 16th percentile of all films
Amityville 1992: It's About Time(1992)
Executive Producer
Midcredits score: 12th percentile of all films
Locked Up: A Mother's Rage(1991)
Producer
Midcredits score: 65th percentile of all films
What Ever Happened to Baby Jane?(1991)
Producer
Midcredits score: 38th percentile of all films
The Chase(1991)
Producer
Midcredits score: 12th percentile of all films
...And Then She Was Gone(1991)
Producer
Midcredits score: 41st percentile of all films
A Mom for Christmas(1990)
Producer
Midcredits score: 63rd percentile of all films
She Said No(1990)
Producer
Midcredits score: 52nd percentile of all films
Joshua's Heart (not in the MovieCove catalog yet)(1990)
Producer
The Rose and the Jackal (not in the MovieCove catalog yet)(1990)
Producer
Jury Duty: The Comedy(1990)
Producer
Midcredits score: 7th percentile of all films
Double Your Pleasure (not in the MovieCove catalog yet)(1989)
Producer
The Punisher(1989)
Executive Producer
Midcredits score: 30th percentile of all films
Amityville Horror: The Evil Escapes(1989)
Producer
Midcredits score: 7th percentile of all films
Poltergeist III(1988)
Producer
Midcredits score: 9th percentile of all films
Wanted: Dead or Alive(1986)
Producer
Midcredits score: 39th percentile of all films
Starman(1984)
Co-Producer
Midcredits score: 82nd percentile of all films
Christine(1983)
Associate Producer
Midcredits score: 74th percentile of all films
Halloween III: Season of the Witch(1982)
Associate Producer
Midcredits score: 26th percentile of all films
Halloween II(1981)
Associate Producer
Midcredits score: 61st percentile of all films
Escape from New York(1981)
Associate Producer · Location Manager
Midcredits score: 86th percentile of all films
The Unseen (not in the MovieCove catalog yet)(1980)
Production Manager
The Fog(1980)
Producer
Midcredits score: 73rd percentile of all films
Roller Boogie(1979)
Production Coordinator
Midcredits score: 22nd percentile of all films
Halloween(1978)
as Dead Mechanic (uncredited)
Midcredits score: 95th percentile of all films

Career shape

A full career of 78 titles from 1978 to 2025.

Biggest box office

Click (2006)

$241M worldwide

Highest rated

Adam Sandler: 100% Fresh (2018)

Midcredits 92^nd

Film career

1978Screen debut· Halloween

By role

only this rolewith another role

Acting3 of 78Producing75 of 78 · 30^thOther crew4 of 78

78 titles, 3 with more than one role — producing and other crew overlap on 2 of them.

By decade

1970s2 · 1 acting · 1 crew1980s12 · crew1990s27 · crew2000s11 · 1 acting · 11 crew2010s14 · 1 acting · 14 crew2020s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2025, Outstanding Variety Special (Pre-Recorded).

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Barry Bernardi's films land?

Their typical MovieCove film has a Midcredits score in the 30^th percentile, the median of all 77; across their 57 films with reception data, the typical film sits in the 34^th percentile for acclaim.

Acclaim · how much people like their films

34^thpercentile

Typical film, the median of 57

Approval · how many liked their films

33^rdpercentile

Typical film, the median of 57

Reach · how many have seen their films

89^thpercentile

Typical film, the median of 57

Midcredits score across 77 titles, by percentile

75^th and up7
50^th to 74^th14
25^th to 49^th28
Below 25^th28

Shape of the crowd

47 of their 77 titles are Mixed.

Universally Loved4
Universally Panned2
Cult Classic3
Crowd Pleaser15
Broadly Agreed6
Mixed47

Most divisive · actor, producer

The Master of Disguise (2002)

83^rd percentile spread · 63% rated it 4 or lower

Most loved · actor

Halloween (1978)

Midcredits 95^th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Barry Bernardi's work okay for kids?

Across up to 38 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore33 titles18–84 · median 43 · moderatenear the median of all films

Sex & Nudity38 titles9–57 · median 36 · moderatenear the median of all films

Profanity34 titles30–86 · median 54 · moderateheavier than most films

Alcohol & Drugs32 titles14–56 · median 34 · mildnear the median of all films

Frightening / Intense32 titles15–73 · median 39 · moderatenear the median of all films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.