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Gonzalo F. Berridi

Gonzalo F. Berridi

Cinematographer

Works as
Cinematographer
Titles
8 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 30% in 30 days

What are Gonzalo F. Berridi's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
32%
Self
25%
Morality
16%
Ideas
11%
Society
7%
Survival
6%
Power
3%
Romantic love3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 3 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 0 · Charged 3 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 5 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 0 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
5
Romantic
2
Absurd
1
Bittersweet
1
Other
7

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Happy2
  • Bittersweet2
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gonzalo F. Berridi's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Gonzalo F. Berridi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 8 with a MovieCove page.

  • Sophia's Suspicion(2025)

    Cinematographer

    Midcredits score: 18th percentile of all films

  • What Lucia Saw(2022)

    Cinematographer

    Midcredits score: 45th percentile of all films

  • The Invisible Line (not in the MovieCove catalog yet)(2020)

    Show 6 episodes · Second Unit Director of Photography

  • The Accordionist's Son (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • For the Good Times (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Kalebegiak (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Spanish Affair(2014)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • Amaren eskuak (not in the MovieCove catalog yet)(2013)

    Cinematographer

  • La conspiración (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Orange Honey (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • Stars to Wish Upon (not in the MovieCove catalog yet)(2010)

    Cinematographer

  • Perfect Happiness (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • The Good News (not in the MovieCove catalog yet)(2008)

    Cinematographer

  • A Tram in SP (not in the MovieCove catalog yet)(2008)

    Photoscience Manager

  • Todos estamos invitados(2008)

    Cinematographer

    Midcredits score: 18th percentile of all films

  • ¿Y tú quién eres? (not in the MovieCove catalog yet)(2007)

    Cinematographer

  • Say I Do (not in the MovieCove catalog yet)(2004)

    Cinematographer

  • Two Tough Guys (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • El viaje de Carol(2002)

    Cinematographer

    Midcredits score: 69th percentile of all films

  • Plenilune (not in the MovieCove catalog yet)(1999)

    Cinematographer

  • Sí, quiero... (not in the MovieCove catalog yet)(1999)

    Cinematographer

  • La isla del Infierno (not in the MovieCove catalog yet)(1998)

    Cinematographer

  • Lágrimas negras(1998)

    Cinematographer

    Midcredits score: 53rd percentile of all films

  • Lovers of the Arctic Circle(1998)

    Cinematographer

    Midcredits score: 95th percentile of all films

  • Blinded (not in the MovieCove catalog yet)(1997)

    Cinematographer

  • Airbag(1997)

    Cinematographer

    Midcredits score: 75th percentile of all films

  • Best Seller (El Premio) (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • Maité (not in the MovieCove catalog yet)(1994)

    Cinematographer

  • After All These Years (not in the MovieCove catalog yet)(1994)

    Cinematographer

  • The Red Squirrel (not in the MovieCove catalog yet)(1993)

    Cinematographer

  • Off-eko maitasuna (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • Huntza (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • The People at Universal (not in the MovieCove catalog yet)(1991)

    Cinematographer

  • Ander eta Yul (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • Chronicle of the Carlist War (1872-1876) (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Martín (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Divine Words (not in the MovieCove catalog yet)(1987)

    Camera Operator

  • Six on the Dot (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Mikel's Death (not in the MovieCove catalog yet)(1984)

    Still Photographer

Career shape

A full career of 39 titles from 1984 to 2025.

Biggest box office

Spanish Affair (2014)

$79M worldwide

Highest rated

Lovers of the Arctic Circle (1998)

Midcredits 95th

By role

only this rolewith another role
Cinematography36 of 39: 36 only cinematography, 0 with another role · typical Midcredits score60thOther crew3 of 39: 3 only other crew, 0 with another role

By decade

1980s6 · crew1990s14 · crew2000s8 · crew2010s8 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gonzalo F. Berridi's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 8

Approval · how many liked their films

61stpercentile
Typical film, the median of 8

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 8 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed2

Most loved · cinematographer

Lovers of the Arctic Circle (1998)

Midcredits 95th · 84% liked

Reviewers score the cinematography 77/100 in their films, across 4 reviewed titles; fans 82, detractors 48. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gonzalo F. Berridi work with?

People who share at least 2 of Gonzalo F. Berridi's MovieCove titles, grouped by what they did on them; Imanol Uribe shares the most, 3.

Directors

Writers

Actors

Composers and editors

Producers