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Giulio Berruti

Giulio Berruti

Editor, writer and director · Born April 28, 1937 (89)

Born
April 28, 1937 (89)
Works as
Editor, writer and director
Titles
4 on MovieCove · 14 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 6% in 30 days

What are Giulio Berruti's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
36%
Survival
27%
Power
18%
Morality
18%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 4 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
3
Contemplative
2
Cold
1

How their films linger

Unsettling4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giulio Berruti's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Giulio Berruti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Killer Nun(1979)

    Director · Screenplay

    Midcredits score: 17th percentile of all films

  • Il Gabbiano d'Argento - Pallavolo '78 Italia-Campionati del Mondo (not in the MovieCove catalog yet)(1979)

    Director · Editor

  • Noi siam come le lucciole (not in the MovieCove catalog yet)(1976)

    Director · Editor · Writer

  • La studentessa (not in the MovieCove catalog yet)(1976)

    Editor

  • White Fang and the Hunter (not in the MovieCove catalog yet)(1975)

    Screenplay

  • Season for Assassins(1975)

    Editor

    Midcredits score: 20th percentile of all films

  • The Hallucinating Trip(1975)

    Editor

    Midcredits score: 10th percentile of all films

  • Riot in a Women's Prison (not in the MovieCove catalog yet)(1974)

    Editor

  • Baba Yaga(1973)

    Additional Writing · Editor · Writer

    Midcredits score: 34th percentile of all films

  • The Long Arm of the Godfather (not in the MovieCove catalog yet)(1972)

    Assistant Director · Editor · Screenplay

  • They Have Changed Their Face (not in the MovieCove catalog yet)(1971)

    Editor · Writer · as Priest (uncredited)

  • Two Firefighters (not in the MovieCove catalog yet)(1968)

    First Assistant Director

  • I Protect Myself Against My Enemies (not in the MovieCove catalog yet)(1968)

    First Assistant Director

  • Albero verde (not in the MovieCove catalog yet)(1966)

    Story · Writer

Career shape

A full career of 14 titles from 1966 to 1979.

Highest rated

Baba Yaga (1973)

Midcredits 34th

Film career

  • 1971Screen debut· They Have Changed Their Face

By role

only this rolewith another role
Acting1 of 14: 0 only acting, 1 with another roleDirecting3 of 14: 0 only directing, 3 with another roleWriting6 of 14: 2 only writing, 4 with another roleEditing9 of 14: 4 only editing, 5 with another roleOther crew4 of 14: 2 only other crew, 2 with another role

14 titles, 6 with more than one role — editing and writing overlap on 3 of them.

By decade

1960s3 · crew1970s11 · 1 acting · 11 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Giulio Berruti's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 4

Approval · how many liked their films

17thpercentile
Typical film, the median of 4

Reach · how many have seen their films

45thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th1
  • Below 25th3

Shape of the crowd

None of their 4 titles divides audiences: 4 are Mixed.

  • Mixed4

Most loved · writer, editor

Baba Yaga (1973)

Midcredits 34th · 34% liked

Reviewers score the pacing 30/100 in their films, across 4 reviewed titles; fans 38, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giulio Berruti work with?

People who share at least 2 of Giulio Berruti's MovieCove titles; Joe Dallesandro shares the most, 2.