- Producer and writer
- 7 on MovieCove · 16 credits in all
What are George C. Bertholon's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 4 · Dark 1
A split, not a type: Grounded 5 · Stylized 2 · Heightened 0
Gentle 1 · Charged 4 · Intense 2
Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George C. Bertholon's films?
As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for George C. Bertholon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 7 with a MovieCove page.
Guns of the Timberland(1960)
Midcredits score: 29th percentile of all films
Island of Lost Women (not in the MovieCove catalog yet)(1959)
The Big Land(1957)
Midcredits score: 55th percentile of all films
A Cry in the Night(1956)
Midcredits score: 41st percentile of all films
Hell on Frisco Bay(1955)
Midcredits score: 55th percentile of all films
Kansas Raiders(1950)
Midcredits score: 46th percentile of all films
The Kid from Texas(1950)
Midcredits score: 54th percentile of all films
Flirting with Danger(1934)
Midcredits score: 6th percentile of all films (provisional, few ratings)
King Kelly of the U.S.A. (not in the MovieCove catalog yet)(1934)
Shipwrecked (not in the MovieCove catalog yet)(1926)
Paris at Midnight (not in the MovieCove catalog yet)(1926)
Forbidden Waters (not in the MovieCove catalog yet)(1926)
The Danger Girl (not in the MovieCove catalog yet)(1926)
The Million Dollar Handicap (not in the MovieCove catalog yet)(1925)
The World's a Stage (not in the MovieCove catalog yet)(1922)
The Lure of Jade (not in the MovieCove catalog yet)(1921)
Career shape
A full career of 13 titles from 1921 to 1960.
How do George C. Bertholon's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 50th to 74th3
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 7 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 50/100 and the plot and story 42/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George C. Bertholon work with?
People who share at least 2 of George C. Bertholon's MovieCove titles, grouped by what they did on them; Alan Ladd shares the most, 4.
Directors
- Frank TuttleShared titles: A Cry in the Night (1956), Hell on Frisco Bay (1955)See all 2 shared titles with Frank Tuttle
Writers
- David DortortShared titles: The Big Land (1957), A Cry in the Night (1956)See all 2 shared titles with David Dortort
- Martin RackinShared titles: The Big Land (1957), Hell on Frisco Bay (1955)See all 2 shared titles with Martin Rackin
Actors
- Alan LaddShared titles: Guns of the Timberland (1960), The Big Land (1957), A Cry in the Night (1956), Hell on Frisco Bay (1955)See all 4 shared titles with Alan Ladd
- Anthony CarusoShared titles: The Big Land (1957), A Cry in the Night (1956)See all 2 shared titles with Anthony Caruso
- Edmond O'BrienShared titles: The Big Land (1957), A Cry in the Night (1956)See all 2 shared titles with Edmond O'Brien
- George J. LewisShared titles: The Big Land (1957), A Cry in the Night (1956)See all 2 shared titles with George J. Lewis
Composers, cinematographers and editors
- John F. SeitzShared titles: Guns of the Timberland (1960), The Big Land (1957), A Cry in the Night (1956), Hell on Frisco Bay (1955)See all 4 shared titles with John F. Seitz
- David ButtolphShared titles: Guns of the Timberland (1960), The Big Land (1957), A Cry in the Night (1956)See all 3 shared titles with David Buttolph
- Folmar BlangstedShared titles: A Cry in the Night (1956), Hell on Frisco Bay (1955)See all 2 shared titles with Folmar Blangsted