
Willie Best
Actor · Died November 27, 1962, aged 49 · Sunflower, Mississippi, USA
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
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Biography from TMDB.
- May 27, 1913
- November 27, 1962 (aged 49)
- Sunflower, Mississippi, USA
- Actor
- 44 on MovieCove · 117 credits in all
What are Willie Best's films like?
Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 17
Light 18 · Serious 3 · Dark 0
Grounded 13 · Stylized 7 · Heightened 1
Gentle 16 · Charged 5 · Intense 0
Steady 17 · Shifting 4 · Whiplash 0
Straight-faced 3 · Some laughs 9 · Funny 9
Slow burn 10 · Even-paced 11 · Relentless 0
Casual 12 · Engaged 9 · Full focus 0
Easy watch 19 · Affecting 2 · Heavy 0
Resolved 19 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Trickster: 2 of 4 analyzed roles.
- Tricksteras Apollo Johnson in Nancy Drew... Trouble Shooter (1939)
- Allyas Alex in The Ghost Breakers (1940)
- Tricksteras Woodrow in The Girl Who Dared (1944)
- Allyas Flash in The Monster and the Ape (1945)
Moods and endings
- Happy18
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Willie Best's films?
As of October 24, 2026, 12 of their 44 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- Merrily We Live (1938) · actor · free
- The Adventures of Mark Twain (1944) · actor · free
- Blondie (1938) · actor · free
- South of Caliente (1951) · actor · free
- Slightly Honorable (1939) · actor · free
- The Monster and the Ape (1945) · actor · free
- The Kansan (1943) · actor · free
- The Monster Walks (1932) · actor · free
Subscription and free streaming for Willie Best's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
117 credits, 44 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

Harold Lloyd's World of Comedy (not in the MovieCove catalog yet)(1962)

Waterfront (not in the MovieCove catalog yet)(1954)

Meet the O'Briens (not in the MovieCove catalog yet)(1954)

My Little Margie (not in the MovieCove catalog yet)(1952)

Ellis in Freedomland (not in the MovieCove catalog yet)(1952)

South of Caliente(1951)
Midcredits score: 46th percentile of all films
Racket Squad (not in the MovieCove catalog yet)(1951)

The Stu Erwin Show (not in the MovieCove catalog yet)(1950)

The Shanghai Chest (not in the MovieCove catalog yet)(1948)

Half Past Midnight (not in the MovieCove catalog yet)(1948)

The Red Stallion(1947)
Midcredits score: 42nd percentile of all films
Suddenly It's Spring (not in the MovieCove catalog yet)(1947)

Dangerous Money(1946)
Midcredits score: 62nd percentile of all films
The Bride Wore Boots(1946)
Midcredits score: 42nd percentile of all films
The Face of Marble (not in the MovieCove catalog yet)(1946)

She Wouldn't Say Yes(1945)
Midcredits score: 50th percentile of all films
Hold That Blonde!(1945)
Midcredits score: 42nd percentile of all films
The Red Dragon (not in the MovieCove catalog yet)(1945)

Pillow to Post (not in the MovieCove catalog yet)(1945)

The Monster and the Ape(1945)
Midcredits score: 33rd percentile of all films
Music for Millions(1944)
Midcredits score: 70th percentile of all films
The Mark of the Whistler(1944)
Midcredits score: 64th percentile of all films
The Girl Who Dared(1944)
Midcredits score: 38th percentile of all films
Midcredits score: 80th percentile of all films
Home in Indiana (not in the MovieCove catalog yet)(1944)

Thank Your Lucky Stars(1943)
Midcredits score: 71st percentile of all films
The Kansan(1943)
Midcredits score: 24th percentile of all films
Dixie(1943)
Midcredits score: 48th percentile of all films
Cabin in the Sky(1943)
Midcredits score: 82nd percentile of all films
Cinderella Swings It (not in the MovieCove catalog yet)(1943)

The Powers Girl (not in the MovieCove catalog yet)(1943)

The Hidden Hand (not in the MovieCove catalog yet)(1942)

Scattergood Survives a Murder (not in the MovieCove catalog yet)(1942)

Busses Roar (not in the MovieCove catalog yet)(1942)

A-Haunting We Will Go(1942)
Midcredits score: 51st percentile of all films
Maisie Gets Her Man(1942)
Midcredits score: 53rd percentile of all films
Juke Girl (not in the MovieCove catalog yet)(1942)

Whispering Ghosts (not in the MovieCove catalog yet)(1942)

The Body Disappears (not in the MovieCove catalog yet)(1941)

Nothing But the Truth(1941)
Midcredits score: 84th percentile of all filmsMinstrel Days (not in the MovieCove catalog yet)(1941)

The Smiling Ghost (not in the MovieCove catalog yet)(1941)

Boogie Woogie Bugle Boy of Company "B" (not in the MovieCove catalog yet)(1941)

Highway West (not in the MovieCove catalog yet)(1941)

Kisses for Breakfast (not in the MovieCove catalog yet)(1941)

The Lady from Cheyenne (not in the MovieCove catalog yet)(1941)

Scattergood Baines (not in the MovieCove catalog yet)(1941)

Road Show (not in the MovieCove catalog yet)(1941)

Flight from Destiny (not in the MovieCove catalog yet)(1941)

High Sierra(1941)
Midcredits score: 92nd percentile of all films
Who Killed Aunt Maggie? (not in the MovieCove catalog yet)(1940)

Money and the Woman(1940)
Midcredits score: 33rd percentile of all films (provisional, few ratings)
The Ghost Breakers(1940)
Midcredits score: 76th percentile of all films
Blondie on a Budget (not in the MovieCove catalog yet)(1940)

I Take This Woman(1940)
Midcredits score: 55th percentile of all films
Slightly Honorable(1939)
Midcredits score: 37th percentile of all films
Private Detective (not in the MovieCove catalog yet)(1939)

The Covered Trailer (not in the MovieCove catalog yet)(1939)

Blondie Brings Up Baby (not in the MovieCove catalog yet)(1939)

At the Circus(1939)
Midcredits score: 73rd percentile of all films
Blackmail (not in the MovieCove catalog yet)(1939)

Way Down South (not in the MovieCove catalog yet)(1939)
Midcredits score: 62nd percentile of all films
Midcredits score: 66th percentile of all films
Midcredits score: 68th percentile of all films
The Saint Strikes Back(1939)
Midcredits score: 49th percentile of all films
Blondie(1938)
Midcredits score: 76th percentile of all films
Spring Madness (not in the MovieCove catalog yet)(1938)

Straight, Place and Show (not in the MovieCove catalog yet)(1938)

Youth Takes a Fling (not in the MovieCove catalog yet)(1938)

I'm from the City (not in the MovieCove catalog yet)(1938)

Vivacious Lady(1938)
Midcredits score: 87th percentile of all films
Goodbye Broadway (not in the MovieCove catalog yet)(1938)

Merrily We Live(1938)
Midcredits score: 87th percentile of all films
Midcredits score: 49th percentile of all films
Everybody's Doing It(1938)
Midcredits score: 7th percentile of all films
Crashing Hollywood (not in the MovieCove catalog yet)(1938)

Saturday's Heroes (not in the MovieCove catalog yet)(1937)
The Lady Fights Back (not in the MovieCove catalog yet)(1937)
Mississippi Moods (not in the MovieCove catalog yet)(1937)

Super-Sleuth (not in the MovieCove catalog yet)(1937)

Meet the Missus (not in the MovieCove catalog yet)(1937)

You Can't Buy Luck (not in the MovieCove catalog yet)(1937)

Breezing Home (not in the MovieCove catalog yet)(1937)

Racing Lady (not in the MovieCove catalog yet)(1937)

We Who Are About to Die(1936)
Midcredits score: 61st percentile of all films
Deep South (not in the MovieCove catalog yet)(1937)

Night Waitress (not in the MovieCove catalog yet)(1936)

General Spanky (not in the MovieCove catalog yet)(1936)

Thank You, Jeeves! (not in the MovieCove catalog yet)(1936)

Mummy's Boys (not in the MovieCove catalog yet)(1936)

Down the Stretch (not in the MovieCove catalog yet)(1936)

The Green Pastures(1936)
Midcredits score: 79th percentile of all films
The Bride Walks Out(1936)
Midcredits score: 29th percentile of all films
Murder on a Bridle Path(1936)
Midcredits score: 47th percentile of all films
Two in Revolt (not in the MovieCove catalog yet)(1936)

Silly Billies (not in the MovieCove catalog yet)(1936)

Muss 'em Up (not in the MovieCove catalog yet)(1936)

The Littlest Rebel(1935)
Midcredits score: 67th percentile of all films
To Beat the Band (not in the MovieCove catalog yet)(1935)

Hot Tip (not in the MovieCove catalog yet)(1935)

Jalna (not in the MovieCove catalog yet)(1935)

The Arizonian (not in the MovieCove catalog yet)(1935)

The Nitwits (not in the MovieCove catalog yet)(1935)
Hit and Rum (not in the MovieCove catalog yet)(1935)
Raised and Called (not in the MovieCove catalog yet)(1935)

Murder on a Honeymoon(1935)
Midcredits score: 72nd percentile of all filmsHorse Heir (not in the MovieCove catalog yet)(1935)

West of the Pecos (not in the MovieCove catalog yet)(1934)

Kentucky Kernels(1934)
Midcredits score: 41st percentile of all films
Little Miss Marker (not in the MovieCove catalog yet)(1934)

The Monster Walks(1932)
Midcredits score: 2nd percentile of all films
The Guilty Generation (not in the MovieCove catalog yet)(1931)

Up Pops the Devil(1931)
Midcredits score: 16th percentile of all films
Virtuous Husband(1931)
Midcredits score: 69th percentile of all films (provisional, few ratings)
Feet First (not in the MovieCove catalog yet)(1930)

Ladies of Leisure(1930)
Midcredits score: 68th percentile of all films
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 117 titles from 1930 to 1962.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Willie Best's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 44; across their 21 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up9
- 50th to 74th17
- 25th to 49th14
- Below 25th4
Shape of the crowd
23 of their 44 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser23
- Broadly Agreed10
- Mixed8
Reviewers score the acting 64/100 in their films, across 19 reviewed titles; fans 73, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Willie Best work with?
People who share at least 2 of Willie Best's MovieCove titles, grouped by what they did on them; Howard Bretherton shares the most, 2.
Directors
- Howard BrethertonShared titles: The Monster and the Ape (1945), The Girl Who Dared (1944)See all 2 shared titles with Howard Bretherton

- Frank R. StrayerShared titles: Blondie (1938), The Monster Walks (1932)See all 2 shared titles with Frank R. Strayer

Writers
- Stuart PalmerShared titles: Murder on a Bridle Path (1936), Murder on a Honeymoon (1935)See all 2 shared titles with Stuart Palmer
Actors
- Barbara StanwyckShared titles: The Bride Wore Boots (1946), The Bride Walks Out (1936)See all 2 shared titles with Barbara Stanwyck

- Walter BaldwinShared titles: The Bride Wore Boots (1946), The Mark of the Whistler (1944)See all 2 shared titles with Walter Baldwin

- Bob HopeShared titles: Nothing But the Truth (1941), The Ghost Breakers (1940)See all 2 shared titles with Bob Hope

- Paulette GoddardShared titles: Nothing But the Truth (1941), The Ghost Breakers (1940)See all 2 shared titles with Paulette Goddard

Composers, cinematographers and editors
- Friedrich HollaenderShared titles: The Red Stallion (1947), The Bride Wore Boots (1946)See all 2 shared titles with Friedrich Hollaender

- Ellsworth HoaglandShared titles: The Bride Wore Boots (1946), The Ghost Breakers (1940)See all 2 shared titles with Ellsworth Hoagland
- L. William O'ConnellShared titles: The Monster and the Ape (1945), Nancy Drew... Trouble Shooter (1939)See all 2 shared titles with L. William O'Connell
- Arthur RobertsShared titles: The Girl Who Dared (1944), The Bride Walks Out (1936)See all 2 shared titles with Arthur Roberts
Producers
- Rudolph C. FlothowShared titles: The Monster and the Ape (1945), The Mark of the Whistler (1944)See all 2 shared titles with Rudolph C. Flothow
- Arthur Hornblow Jr.Shared titles: Nothing But the Truth (1941), The Ghost Breakers (1940)See all 2 shared titles with Arthur Hornblow Jr.

- Buddy G. DeSylvaShared titles: Nothing But the Truth (1941), The Littlest Rebel (1935)See all 2 shared titles with Buddy G. DeSylva
Mixed roles
- Robert BenchleyShared titles: The Bride Wore Boots (1946), Murder on a Honeymoon (1935)See all 2 shared titles with Robert Benchley

- Seton I. MillerShared titles: The Bride Wore Boots (1946), Murder on a Honeymoon (1935)See all 2 shared titles with Seton I. Miller

- Lloyd CorriganShared titles: Maisie Gets Her Man (1942), Murder on a Honeymoon (1935)See all 2 shared titles with Lloyd Corrigan

- Elliott NugentShared titles: Nothing But the Truth (1941), Virtuous Husband (1931)See all 2 shared titles with Elliott Nugent





