
Daisy Bevan
Actor · Born January 1, 1992 (34) · Westminster, London, England, UK
Daisy Carmen Bevan is an English actress. She is the daughter of actress Joely Richardson and film producer Tim Bevan.
Biography from TMDB.
- January 1, 1992 (34)
- Westminster, London, England, UK
- Actor
- 10 on MovieCove · 15 credits in all
What are Daisy Bevan's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 3 · Heavy 1
Resolved 1 · Open-ended 3 · Ambiguous 0
Roles they play
- Heroas Emma in Noble Earth (2017)
Moods and endings
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daisy Bevan's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
- BritBox
- Crunchyroll
Subscription and free streaming for Daisy Bevan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Grief Room (not in the MovieCove catalog yet)(2026)
Notice Me (not in the MovieCove catalog yet)(2026)

Too Much(2025)
Midcredits score: 23rd percentile of all showsEntree Des Artists (not in the MovieCove catalog yet)(2020)

McDonald & Dodds(2020)
Midcredits score: 82nd percentile of all shows
Modern Life Is Rubbish(2017)
Midcredits score: 48th percentile of all films
The Alienist(2018)
Midcredits score: 84th percentile of all shows
Noble Earth(2017)
Midcredits score: 25th percentile of all films (provisional, few ratings)
Midcredits score: 72nd percentile of all films
The Outcast(2015)
Midcredits score: 55th percentile of all shows
One Crazy Thing (not in the MovieCove catalog yet)(2015)

The Two Faces of January(2014)
Midcredits score: 46th percentile of all films
Midcredits score: 37th percentile of all films
Elizabeth(1998)
Midcredits score: 92nd percentile of all films
Mermaids (not in the MovieCove catalog yet)
Career shape
Star power in the 80th percentile of 239,109 people with a billed film role, over a full career of 15 titles, 14 of them dated from 1998 to 2026; peak year 2013.

Biggest box office
The Two Faces of January (2014)

Highest rated
The Outcast (2015)

Most popular right now
Too Much (2025)
Film career
Peak 2013 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1998Screen debut· Elizabeth
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daisy Bevan's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 10 titles are Mixed.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.