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Ryan Beveridge

Ryan Beveridge

Composer

Ryan Beveridge is a Los Angeles based composer and producer for film, television, theater and beyond. He studied music at Northwestern University and has received fellowships from the Sundance Institute and BMI. He has been fortunate to have music featured at seven Sundance Festivals including the acclaimed premieres of Barking Water, Mosquita y Mari, and This May Be the Last Time, as well as the midnight features Taboo and Nightstalker.

Read more

Biography from TMDB.

Works as
Composer
Titles
19 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Ryan Beveridge's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama8 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Drama movies
Crime4 titlesTypical Midcredits score: 14th percentile
: browse their Crime movies
Action2 titlesTypical Midcredits score: 9th percentile
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 19th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
22%
Self
22%
Bonds
19%
Survival
13%
Society
9%
Power
7%
Ideas
7%
Identity5 titles, browse their movies with this themeFamily bonds5 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 14 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 7 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 9 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 10 · Even-paced 8 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 13 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 5 · Affecting 13 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 9 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Contemplative
8
Hopeful
9
Dread
6
Melancholic
7
Other
10

How their films linger

Unsettling7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy2
  • Bittersweet8
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ryan Beveridge's films?

As of October 24, 2026, 13 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Ryan Beveridge's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 19 with a MovieCove page.

  • Frybread Face and Me(2023)

    Composer

    Midcredits score: 86th percentile of all films

  • Fruits of Labor (not in the MovieCove catalog yet)(2021)

    Composer

  • Santa Fake(2019)

    Composer

    Midcredits score: 15th percentile of all films

  • Waiting for the Miracle to Come(2018)

    Composer

    Midcredits score: 10th percentile of all films

  • Time Jumpers(2018)

    Composer

    Midcredits score: 15th percentile of all films

  • Bees Make Honey (not in the MovieCove catalog yet)(2018)

    Composer

  • Search Engines(2016)

    Composer

    Midcredits score: 5th percentile of all films

  • Sharktopus vs. Whalewolf(2015)

    Composer

    Midcredits score: 2nd percentile of all films

  • Mekko(2015)

    Composer

    Midcredits score: 73rd percentile of all films

  • Commencement(2012)

    Composer

    Midcredits score: 33rd percentile of all films (provisional, few ratings)

  • This May Be the Last Time(2014)

    Composer

    Midcredits score: 79th percentile of all films (provisional, few ratings)

  • Mosquita y Mari (not in the MovieCove catalog yet)(2012)

    Composer

  • Meeting Evil(2012)

    Composer

    Midcredits score: 19th percentile of all films

  • Five Star Day(2010)

    Composer

    Midcredits score: 36th percentile of all films

  • Barking Water(2009)

    Composer

    Midcredits score: 56th percentile of all films

  • L.A. Dicks (not in the MovieCove catalog yet)(2007)

    Composer

  • Zyzzyx Road(2006)

    Composer

    Midcredits score: 8th percentile of all films

  • Rampage: The Hillside Strangler Murders(2006)

    Composer

    Midcredits score: 6th percentile of all films

  • Boy Culture(2006)

    Composer

    Midcredits score: 67th percentile of all films

  • Dirty(2005)

    Composer

    Midcredits score: 23rd percentile of all films

  • Race You to the Bottom(2005)

    Composer

    Midcredits score: 17th percentile of all films

  • Frankenfish(2004)

    Composer

    Midcredits score: 15th percentile of all films

  • Nightstalker (not in the MovieCove catalog yet)(2002)

    Composer

  • Taboo(2002)

    Composer

    Midcredits score: 3rd percentile of all films

  • Speakeasy (not in the MovieCove catalog yet)(2002)

    Music Editor

Career shape

A full career of 23 titles from 2002 to 2021.

Biggest box office

Dirty (2005)

$274K worldwide

Highest rated

Frybread Face and Me (2023)

Midcredits 86th

Most popular right now

Meeting Evil (2012)

By role

only this rolewith another role
Music22 of 23: 22 only music, 0 with another role · typical Midcredits score15thOther crew1 of 23: 1 only other crew, 0 with another role

By decade

2000s10 · crew2010s12 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ryan Beveridge's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 19; across their 19 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 19

Approval · how many liked their films

24thpercentile
Typical film, the median of 19

Reach · how many have seen their films

54thpercentile
Typical film, the median of 19

Midcredits score across 19 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th12

Shape of the crowd

14 of their 19 titles are Mixed.

  • Divisive2
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed14

Most divisive · composer

Time Jumpers (2018)

98th percentile spread · 53% rated it 4 or lower

Most loved · composer

Frybread Face and Me (2023)

Midcredits 86th · 76% liked

Reviewers score the sound and music 52/100 in their films, across 11 reviewed titles; fans 62, detractors 36. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ryan Beveridge's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 42 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ryan Beveridge work with?

People who share at least 2 of Ryan Beveridge's MovieCove titles, grouped by what they did on them; Chris Fisher shares the most, 4.

Directors

Actors

Cinematographers and editors

Producers