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Peter Bezencenet

Editor and director · Died September 1, 2003, aged 89 · Rochford, Essex, England, UK

Peter Bezencenet (1914–2003) was a British film editor and film director. He co-scripted the 1936 film Conquest of the Air. He was employed by the Rank Organisation on a number of films during the 1950s, including several for Ealing Studios. He also acted as location director for the television series Richard the Lionheart in the early 1960s. During the 1960s he directed four films and episodes of the TV series The Pursuers.

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Biography from TMDB.

Born
June 15, 1914
Died
September 1, 2003 (aged 89)
From
Rochford, Essex, England, UK
Works as
Editor and director
Titles
6 on MovieCove · 24 credits in all
TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Peter Bezencenet's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
28%
Morality
21%
Bonds
15%
Self
15%
Society
13%
Power
9%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 4 · Stylized 1 · Heightened 1

Gentle 1 · Charged 5 · Intense 0

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 3 · Full focus 0

Resolved 4 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
4
Dread
2
Warm
1

How their films end · 1 with a twist

  • Bittersweet4
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Bezencenet's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peter Bezencenet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 6 with a MovieCove page.

  • City of Fear (not in the MovieCove catalog yet)(1965)

    Director

  • 24 Hours to Kill(1965)

    Director

    Midcredits score: 11th percentile of all films
  • Bomb in the High Street (not in the MovieCove catalog yet)(1963)

    Director

  • Band of Thieves (not in the MovieCove catalog yet)(1962)

    Director

  • Richard the Lionheart (not in the MovieCove catalog yet)(1962)

    Show 39 episodes · Second Unit Location Manager

  • Hair of the Dog (not in the MovieCove catalog yet)(1962)

    Editor

  • Midcredits score: 38th percentile of all films
  • The Siege of Sidney Street (not in the MovieCove catalog yet)(1960)

    Editor

  • The Boy Who Stole a Million (not in the MovieCove catalog yet)(1960)

    Editor

  • Jungle Street (not in the MovieCove catalog yet)(1960)

    Editor

  • Jack the Ripper(1959)

    Editor

    Midcredits score: 42nd percentile of all films
  • Floods of Fear (not in the MovieCove catalog yet)(1958)

    Editor

  • Rooney (not in the MovieCove catalog yet)(1958)

    Editor

  • The Secret Place(1957)

    Editor

    Midcredits score: 60th percentile of all films
  • Dangerous Exile(1957)

    Editor

    Midcredits score: 21st percentile of all films
  • The Feminine Touch (not in the MovieCove catalog yet)(1956)

    Editor

  • PT Raiders(1955)

    Editor

    Midcredits score: 70th percentile of all films
  • The Divided Heart (not in the MovieCove catalog yet)(1954)

    Editor

  • West of Zanzibar (not in the MovieCove catalog yet)(1954)

    Editor

  • The Square Ring (not in the MovieCove catalog yet)(1953)

    Editor

  • Intimate Relations (not in the MovieCove catalog yet)(1953)

    Editor

  • Four Men in Prison (not in the MovieCove catalog yet)(1950)

    Editor

  • Poet's Pub (not in the MovieCove catalog yet)(1949)

    Editor

  • The Conquest of the Air (not in the MovieCove catalog yet)(1931)

    Editor · Writer

Career shape

A full career of 22 titles from 1931 to 1965.

By role

only this rolewith another role
Directing4 of 22: 4 only directing, 0 with another roleWriting1 of 22: 0 only writing, 1 with another roleEditing17 of 22: 16 only editing, 1 with another roleOther crew1 of 22: 1 only other crew, 0 with another role

By decade

1930s1 · crew1940s1 · crew1950s10 · crew1960s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Peter Bezencenet's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 6

Approval · how many liked their films

37thpercentile
Typical film, the median of 6

Reach · how many have seen their films

26thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

None of their 6 titles divides audiences: 3 are Broadly Agreed.

  • Crowd Pleaser2
  • Broadly Agreed3
  • Mixed1

Reviewers score the pacing 46/100 in their films, across 6 reviewed titles; fans 54, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Bezencenet work with?

People who share at least 2 of Peter Bezencenet's MovieCove titles, grouped by what they did on them; Belinda Lee shares the most, 2.

Actors

Cinematographers

Producers