Lillian Birnbaum
- Producer
- 5 on MovieCove · 7 credits in all
What are Lillian Birnbaum's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 2 · Dark 2
Grounded 5 · Stylized 0 · Heightened 0
Gentle 2 · Charged 2 · Intense 1
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lillian Birnbaum's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Lillian Birnbaum's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 5 with a MovieCove page.
Tracking Edith(2016)
Midcredits score: 76th percentile of all films (provisional, few ratings)
The Yellow Handkerchief(2008)
Midcredits score: 68th percentile of all films
André Previn - A Bridge between two Worlds (not in the MovieCove catalog yet)(2009)
Midcredits score: 76th percentile of all films
Behind the Sun (not in the MovieCove catalog yet)(2001)
One Day in September(1999)
Midcredits score: 96th percentile of all films
Central Station(1998)
Midcredits score: 99th percentile of all films
Career shape
A full career of 5 titles from 1998 to 2009.
How do Lillian Birnbaum's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up4
- 50th to 74th1
Shape of the crowd
2 of their 5 titles are Universally Loved.
- Universally Loved2
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lillian Birnbaum work with?
People who share at least 2 of Lillian Birnbaum's MovieCove titles; Arthur Cohn shares the most, 4.
- Arthur CohnShared titles: The Children of Huang Shi (2008), The Yellow Handkerchief (2008), One Day in September (1999), Central Station (1998)See all 4 shared titles with Arthur Cohn
