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Wes Bishop

Actor, producer and writer · Died June 25, 1993, aged 60 · Nashville, Tennessee, USA

Writer/actor/producer Wes Bishop frequently collaborated with exploitation filmmaker Lee Frost on a bunch of enjoyably down-'n'-dirty drive-in features made throughout the 1960s and 1970s. Bishop was born as Charles Pelletieri on September 12, 1932, in Nashville, Tennessee. He served a hitch in the US army as a paratrooper and intelligence officer in the Korean War. He and Frost first crossed paths in the early 1960s on the tongue-in-cheek softcore horror comedy House on Bare Mountain (1962). Their subsequent cinematic ventures include the trailblazing Nazisploitation outing Love Camp 7 (1969), the gritty Chain Gang Women (1971), the passable biker opus Chrome and Hot Leather (1971), the hilariously campy The Thing with Two Heads (1972), the immensely fun Policewomen (1974), the gnarly blaxploitation winner The Black Gestapo (1975) and the rowdy redneck romp Dixie Dynamite (1976). In addition, Frost often had sizable supporting roles in their movies; he's especially memorable as trouble-making convict Coleman in "Chain Gang Women" and sleazy mobster Ernest in "The Black Gestapo." In addition, Frost and Bishop wrote the witty and inspired script for Jack Starrett's terrific Satan-worship/car-chase horror/action treat Race with the Devil (1975); Bishop also produced the picture and appears in a minor part as a small-town deputy. Bishop did guest spots on such TV series as Perry Mason (1957), Combat! (1962), Bonanza (1959) and The High Chaparral (1967). Wes Bishop died at age 60 from a liver ailment on June 25, 1993.

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Biography from IMDb.

Born
September 12, 1932
Died
June 25, 1993 (aged 60)
From
Nashville, Tennessee, USA
Works as
Actor, producer and writer
Titles
7 on MovieCove · 18 credits in all
TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Wes Bishop's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 1 · Dark 5

A split, not a type: Grounded 4 · Stylized 2 · Heightened 1

Gentle 0 · Charged 3 · Intense 4

Steady 0 · Shifting 6 · Whiplash 1

A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 1

Slow burn 3 · Even-paced 3 · Relentless 1

A split, not a type: Casual 3 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 4

Resolved 6 · Open-ended 1 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
5
Absurd
3
Cold
2
Thrilling
1
Other
1

How their films end · 1 with a twist

  • Happy2
  • Bittersweet1
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wes Bishop's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Wes Bishop's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 7 with a MovieCove page.

  • Dixie Dynamite (not in the MovieCove catalog yet)(1976)

    Producer · Writer · as Deputy Frank

  • Race with the Devil(1975)

    Producer · Screenplay · as Deputy Dave

    Midcredits score: 66th percentile of all films
  • The Black Gestapo(1975)

    Producer · Screenplay · Story · as Ernest

    Midcredits score: 12th percentile of all films
  • Violated! (not in the MovieCove catalog yet)(1975)

    as LAPD Detective (uncredited)

  • A Climax of Blue Power (not in the MovieCove catalog yet)(1974)

    as Lt. Jim Cable (uncredited)

  • Poor Cecily (not in the MovieCove catalog yet)(1974)

    as Arresting Constable (uncredited)

  • Policewomen (not in the MovieCove catalog yet)(1974)

    Producer · Screenplay

  • Sleazy Rider (not in the MovieCove catalog yet)(1973)

    as Roger (uncredited)

  • The Thing with Two Heads(1972)

    Producer · Screenplay · Story · as Dr. Smith

    Midcredits score: 12th percentile of all films
  • Chrome and Hot Leather(1971)

    Producer · as Sheriff Lewis

    Midcredits score: 22nd percentile of all films
  • Chain Gang Women (not in the MovieCove catalog yet)(1971)

    Original Story · Producer · Screenplay · as Coleman

  • Ride Hard, Ride Wild (not in the MovieCove catalog yet)(1970)

    as Lief Vedenin (uncredited) (voice)

  • Weekend with the Babysitter (not in the MovieCove catalog yet)(1970)

    Associate Producer · as Rovo

  • Love Camp 7(1969)

    Associate Producer · Writer · as Sgt. Gotthardt (uncredited)

    Midcredits score: 5th percentile of all films
  • The Scavengers (not in the MovieCove catalog yet)(1969)

    Producer · Production Supervisor · as Dillon

  • The Pick-Up(1968)

    Producer · Screenplay · as Tony

    Midcredits score: 44th percentile of all films
  • Hot Spur(1968)

    Producer · as Wes

    Midcredits score: 15th percentile of all films
  • House on Bare Mountain (not in the MovieCove catalog yet)(1962)

    Director · Producer

Career shape

Star power in the 59th percentile of 239,109 people with a billed film role, over a full career of 18 titles from 1962 to 1976; peak year 1975.

Film career

19621976

Peak 1975 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

By role

only this rolewith another role
Acting16 of 18: 6 only acting, 10 with another role · typical Midcredits score15thDirecting1 of 18: 0 only directing, 1 with another roleWriting8 of 18: 0 only writing, 8 with another role · typical Midcredits score12thProducing12 of 18: 0 only producing, 12 with another role · typical Midcredits score17thOther crew1 of 18: 0 only other crew, 1 with another role

18 titles, 12 with more than one role — acting and producing overlap on 10 of them.

By decade

1960s5 · 4 acting · 4 crew1970s13 · 12 acting · 8 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Wes Bishop's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 19th percentile for acclaim.

Acclaim · how much people like their films

19thpercentile
Typical film, the median of 7

Approval · how many liked their films

15thpercentile
Typical film, the median of 7

Reach · how many have seen their films

54thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th5

Reviewers score the acting 42/100 in their films, across 7 reviewed titles; fans 59, detractors 25. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Wes Bishop's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 69 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Wes Bishop work with?

People who share at least 2 of Wes Bishop's MovieCove titles, grouped by what they did on them; Lee Frost shares the most, 7.

Directors

Writers

Actors