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Emo Bistolfi

Producer and writer

Works as
Producer and writer
Titles
3 on MovieCove · 23 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 20% in 30 days

What are Emo Bistolfi's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
37%
Power
33%
Morality
30%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Joyful
1
Romantic
1
Dread
1
Thrilling
1
Other
2

How their films linger

Fun2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Emo Bistolfi's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Emo Bistolfi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 3 with a MovieCove page.

  • Ringo and Gringo Against All (not in the MovieCove catalog yet)(1966)

    Producer

  • The Spy with Ten Faces (not in the MovieCove catalog yet)(1966)

    Producer

  • Love Italian Style (not in the MovieCove catalog yet)(1966)

    Producer

  • Ringo's Big Night (not in the MovieCove catalog yet)(1966)

    Producer

  • Assault on Fort Texan (not in the MovieCove catalog yet)(1965)

    Producer · Story

  • Twins from Texas (not in the MovieCove catalog yet)(1964)

    Producer

  • The Betrothed (not in the MovieCove catalog yet)(1964)

    Producer

  • Heroes of the West (not in the MovieCove catalog yet)(1963)

    Producer

  • Perseo l'invincibile(1963)

    Producer

    Midcredits score: 11th percentile of all films

  • Two Against All (not in the MovieCove catalog yet)(1962)

    Producer

  • I magnifici tre (not in the MovieCove catalog yet)(1961)

    Producer

  • I soliti rapinatori a Milano (not in the MovieCove catalog yet)(1961)

    Producer

  • He Who Hesitates Is Lost (not in the MovieCove catalog yet)(1960)

    Producer

  • Un dollaro di fifa (not in the MovieCove catalog yet)(1960)

    Producer

  • Messalina(1960)

    Producer

    Midcredits score: 27th percentile of all films

  • I baccanali di Tiberio (not in the MovieCove catalog yet)(1960)

    Producer

  • Men and Noblemen (not in the MovieCove catalog yet)(1959)

    Producer · Screenplay · Theatre Play

  • The Inveterate Bachelor (not in the MovieCove catalog yet)(1958)

    Producer

  • Il cocco di mamma (not in the MovieCove catalog yet)(1957)

    Producer · Screenplay

  • The Awakening (not in the MovieCove catalog yet)(1956)

    Production Manager

  • Piccola posta (not in the MovieCove catalog yet)(1955)

    Line Producer

  • Sins of Casanova(1955)

    Producer · Screenplay · Story

    Midcredits score: 23rd percentile of all films

  • Il bandolero stanco (not in the MovieCove catalog yet)(1952)

    Story · Writer

Career shape

A full career of 23 titles from 1952 to 1966.

Most popular right now

Messalina (1960)

By role

only this rolewith another role
Writing5 of 23: 1 only writing, 4 with another roleProducing21 of 23: 17 only producing, 4 with another roleOther crew1 of 23: 1 only other crew, 0 with another role

23 titles, 4 with more than one role — producing and writing overlap on 4 of them.

By decade

1950s7 · crew1960s16 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Emo Bistolfi's films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 3

Approval · how many liked their films

18thpercentile
Typical film, the median of 3

Reach · how many have seen their films

29thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 3 titles divides audiences: 3 are Mixed.

  • Mixed3

Most loved · producer

Messalina (1960)

Midcredits 27th · 27% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Emo Bistolfi work with?

People who share at least 2 of Emo Bistolfi's MovieCove titles, grouped by what they did on them; Mario Guerra shares the most, 3.

Writers

Actors

Composers