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James Bitonti

Producer

Works as
Producer
Titles
23 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 10% in 30 days

What are James Bitonti's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
37%
Bonds
21%
Power
16%
Morality
15%
Survival
6%
Ideas
4%
Identity3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 1 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Joyful
1
Contemplative
2
Absurd
2
Other
5

How their films linger

Hopeful2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James Bitonti's films?

As of October 24, 2026, 21 of their 23 MovieCove titles stream on a subscription or free service, most on Netflix (8).

Also on these channels

Subscription and free streaming for James Bitonti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 23 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Shadow Force(2025)

    First Assistant Director

    Midcredits score: 12th percentile of all films

  • Gran Turismo(2023)

    First Assistant Director

    Midcredits score: 86th percentile of all films

  • Lou(2022)

    First Assistant Director

    Midcredits score: 45th percentile of all films

  • Love Hard(2021)

    Associate Producer · First Assistant Director

    Midcredits score: 54th percentile of all films

  • Red Notice(2021)

    First Assistant Director

    Midcredits score: 51st percentile of all films

  • There's Someone Inside Your House(2021)

    Associate Producer · First Assistant Director

    Midcredits score: 9th percentile of all films

  • Skyscraper(2018)

    First Assistant Director

    Midcredits score: 31st percentile of all films

  • Death Note(2017)

    First Assistant Director · Producer

    Midcredits score: 3rd percentile of all films

  • The Edge of Seventeen(2016)

    Co-Producer · First Assistant Director

    Midcredits score: 89th percentile of all films

  • Deadpool(2016)

    First Assistant Director

    Midcredits score: 97th percentile of all films

  • Chappie(2015)

    Co-Producer · First Assistant Director · as Gun Store Owner

    Midcredits score: 71st percentile of all films

  • The Grey(2011)

    First Assistant Director · as Ottway's Father

    Midcredits score: 71st percentile of all films

  • The A-Team(2010)

    First Assistant Director

    Midcredits score: 64th percentile of all films

  • Hot Tub Time Machine(2010)

    Second Assistant Director

    Midcredits score: 54th percentile of all films

  • 2012(2009)

    First Assistant Director

    Midcredits score: 36th percentile of all films

  • X-Men Origins: Wolverine(2009)

    First Assistant Director

    Midcredits score: 54th percentile of all films

  • The Uninvited(2009)

    Second Assistant Director

    Midcredits score: 52nd percentile of all films

  • Little Man(2006)

    Second Assistant Director

    Midcredits score: 16th percentile of all films

  • Just Friends(2005)

    Second Assistant Director · as Bouncer

    Midcredits score: 45th percentile of all films

  • White Chicks(2004)

    Second Assistant Director

    Midcredits score: 62nd percentile of all films

  • The Core(2003)

    Second Second Assistant Director

    Midcredits score: 26th percentile of all films

  • Thir13en Ghosts(2001)

    Third Assistant Director

    Midcredits score: 32nd percentile of all films

  • Valentine(2001)

    Third Assistant Director

    Midcredits score: 17th percentile of all films

Career shape

A full career of 23 titles from 2001 to 2025.

Biggest box office

Chappie (2015)

$103M worldwide

Highest rated

The Edge of Seventeen (2016)

Midcredits 89th

Most popular right now

Chappie (2015)

Film career

By role

only this rolewith another role
Acting3 of 23: 0 only acting, 3 with another roleProducing4 of 23: 0 only producing, 4 with another roleOther crew23 of 23: 17 only other crew, 6 with another role · typical Midcredits score51st

23 titles, 6 with more than one role — other crew and producing overlap on 4 of them.

By decade

2000s9 · 1 acting · 9 crew2010s8 · 2 acting · 8 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do James Bitonti's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 23; across their 5 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 5

Approval · how many liked their films

54thpercentile
Typical film, the median of 5

Reach · how many have seen their films

97thpercentile
Typical film, the median of 5

Midcredits score across 23 titles, by percentile

  • 75th and up3
  • 50th to 74th9
  • 25th to 49th6
  • Below 25th5

Shape of the crowd

11 of their 23 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser11
  • Broadly Agreed3
  • Mixed8

Most divisive · producer

Death Note (2017)

64th percentile spread · 53% rated it 4 or lower

Most loved · producer

The Edge of Seventeen (2016)

Midcredits 89th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is James Bitonti's work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles13–88 · median 83 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity5 titles30–48 · median 48 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles52–87 · median 71 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles34–62 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles17–73 · median 69 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does James Bitonti work with?

People who share at least 2 of James Bitonti's MovieCove titles; Brendan Ferguson shares the most, 4.