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What are Jeffrey Bloom's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 6 · Stylized 3 · Heightened 1

Gentle 1 · Charged 7 · Intense 2

A split, not a type: Steady 5 · Shifting 4 · Whiplash 1

Straight-faced 6 · Some laughs 4 · Funny 0

Slow burn 5 · Even-paced 5 · Relentless 0

Casual 7 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 6 · Affecting 2 · Heavy 2

Resolved 10 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Thrilling
3
Melancholic
3
Dread
3
Hopeful
3
Other
4

How their films end · 3 with a twist

  • Happy2
  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeffrey Bloom's films?

As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Jeffrey Bloom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Midcredits score: 28th percentile of all films
  • Flowers in the Attic(1987)

    Director · Writer

    Midcredits score: 34th percentile of all films
  • Midcredits score: 24th percentile of all films
  • Jealousy(1984)

    Director · Writer

    Midcredits score: 18th percentile of all films
  • Nightmares(1983)

    Writer

    Midcredits score: 29th percentile of all films
  • Through Naked Eyes(1983)

    Writer

    Midcredits score: 20th percentile of all films
  • Blood Beach(1980)

    Director · Writer

    Midcredits score: 7th percentile of all films
  • Swashbuckler(1976)

    Writer

    Midcredits score: 48th percentile of all films
  • 11 Harrowhouse(1974)

    Writer

    Midcredits score: 50th percentile of all films
  • Snow Job(1972)

    Writer

    Midcredits score: 13th percentile of all films

Career shape

Across their 10 MovieCove titles from 1972 to 1991.

By role

only this rolewith another role
Directing3 of 10: 0 only directing, 3 with another roleWriting10 of 10: 7 only writing, 3 with another role · typical Midcredits score26th

10 titles, 3 with more than one role — writing and directing overlap on 3 of them.

By decade

1970s3 · crew1980s6 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jeffrey Bloom's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 10

Approval · how many liked their films

26thpercentile
Typical film, the median of 10

Reach · how many have seen their films

55thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th1
  • 25th to 49th4
  • Below 25th5

Reviewers score the dialogue 43/100 and the plot and story 44/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jeffrey Bloom work with?

People who share at least 2 of Jeffrey Bloom's MovieCove titles, grouped by what they did on them; Gil Mellé shares the most, 4.

Composers, cinematographers and editors

Producers