Deborah Blum

What are Deborah Blum's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Deborah Blum's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

• Peacock1 title, browse their movies on this service
  • The Bionic Woman (1976) · writer
• Prime Video1 title, browse their movies on this service
  • The Bionic Woman (1976) · writer
• The Roku Channel1 title, browse their movies on this service
  • The Bionic Woman (1976) · writer · free
• Tubi1 title, browse their movies on this service
  • Vibes (1988) · writer, producer · free

Subscription and free streaming for Deborah Blum's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 7 with a MovieCove page.

• 

  After Auschwitz (not in the MovieCove catalog yet)(2017)

  Writer
• 

  Dogfights(2005)

  Show 1 episode · Writer

  Midcredits score: 93rd percentile of all shows93^rd
• 

  The Corpse Had a Familiar Face(1994)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Clean and Sober(1988)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Vibes(1988)

  Producer · Story

  Midcredits score: 39th percentile of all films39^th
• 

  Biography(1987)

  Show 1 episode · Producer

  Midcredits score: 72nd percentile of all shows72^nd
• 

  Gung Ho(1986)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  Catastrophe: No Safe Place (not in the MovieCove catalog yet)(1980)

  Writer
• 

  In Search of... (not in the MovieCove catalog yet)(1977)

  Show 24 episodes · Associate Producer
• 

  The Bionic Woman(1976)

  Show 1 episode · Story

  Midcredits score: 37th percentile of all shows37^th

Career shape

A full career of 10 titles from 1976 to 2017.

Biggest box office

Gung Ho (1986)

$37M worldwide

Highest rated

Clean and Sober (1988)

Midcredits 70^th

How do Deborah Blum's films land?

Their typical MovieCove film has a Midcredits score in the 45^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 45^th percentile for acclaim.

Shape of the crowd

3 of their 7 titles are Crowd Pleasers.

11311

• Universally Loved1
• Cult Classic1
• Crowd Pleaser3
• Broadly Agreed1
• Mixed1

Most divisive · producer

The Corpse Had a Familiar Face (1994)

74^th percentile spread · 26% rated it 4 or lower

Most loved · writer

Dogfights (2005)

Midcredits 93^rd · 87% liked

Reviewers score the dialogue 58/100 and the plot and story 49/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Deborah Blum work with?

People who share at least 2 of Deborah Blum's MovieCove titles, grouped by what they did on them; Tony Ganz shares the most, 4.