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Menno Boerema

Menno Boerema

Editor

Works as
Editor
Titles
8 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 27% in 30 days

What are Menno Boerema's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

Themes

share of theme weight
Ideas
29%
Society
23%
Self
16%
Survival
16%
Bonds
13%
Morality
4%
Community3 titles, browse their movies with this themeArt2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeMemory2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 2 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 0 · Heightened 1

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 0 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Contemplative
4
Hopeful
3
Warm
2
Joyful
1
Other
3

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet4
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Menno Boerema's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Menno Boerema's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 8 with a MovieCove page.

  • The Miracle of the Little Prince(2018)

    Editor

    Midcredits score: 79th percentile of all films

  • The Grown-Ups (not in the MovieCove catalog yet)(2017)

    Editor

  • Bugs(2016)

    Editor

    Midcredits score: 69th percentile of all films

  • The Silence of Mark Rothko(2016)

    Editor

    Midcredits score: 81st percentile of all films (provisional, few ratings)

  • The World According to Monsieur Khiar (not in the MovieCove catalog yet)(2015)

    Editor

  • Tea Time (not in the MovieCove catalog yet)(2014)

    Editorial Consultant

  • BOI, Song of a Wanderer (not in the MovieCove catalog yet)(2014)

    Assistant Editor

  • Coffee, Cake & Crematorium (not in the MovieCove catalog yet)(2011)

    Editor

  • The Dinner Club (not in the MovieCove catalog yet)(2010)

    Editor

  • Ob ihr wollt oder nicht!(2009)

    Editor

    Midcredits score: 44th percentile of all films

  • The Salt Stories (not in the MovieCove catalog yet)(2008)

    Additional Editing

  • We Loved Each Other So Much(2003)

    Editor

    Midcredits score: 96th percentile of all films

  • Bela Bela (not in the MovieCove catalog yet)(2001)

    Editor

  • De Verlossing (not in the MovieCove catalog yet)(2001)

    Editor

  • With Great Joy (not in the MovieCove catalog yet)(2001)

    Editor

  • Diva Dolorosa(1999)

    Editor

    Midcredits score: 73rd percentile of all films (provisional, few ratings)

  • fl 19,99 (not in the MovieCove catalog yet)(1998)

    Editor

  • Felice... Felice...(1998)

    Editor

    Midcredits score: 72nd percentile of all films

  • Brittle (not in the MovieCove catalog yet)(1997)

    Editor

  • Love Hurts (not in the MovieCove catalog yet)(1993)

    Editor

  • Belle van Zuylen - Madame de Charrière (not in the MovieCove catalog yet)(1993)

    Editor

  • The Forbidden Quest (not in the MovieCove catalog yet)(1993)

    Editor

  • Bobby (not in the MovieCove catalog yet)(1992)

    Editor

  • Lyrical Nitrate (not in the MovieCove catalog yet)(1991)

    Editor

  • The Sacrament (not in the MovieCove catalog yet)(1989)

    Editor

  • Egg (not in the MovieCove catalog yet)(1988)

    Editor

  • Still Smokin(1983)

    Assistant Editor

    Midcredits score: 25th percentile of all films

Career shape

A full career of 23 titles from 1983 to 2017.

Biggest box office

The Miracle of the Little Prince (2018)

$5.6K worldwide

Most popular right now

Ob ihr wollt oder nicht! (2009)

By role

only this rolewith another role
Editing19 of 23: 19 only editing, 0 with another roleOther crew4 of 23: 4 only other crew, 0 with another role

By decade

1980s3 · crew1990s8 · crew2000s6 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Menno Boerema's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 7

Approval · how many liked their films

71stpercentile
Typical film, the median of 7

Reach · how many have seen their films

21stpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

None of their 8 titles divides audiences: 6 are Crowd Pleasers.

  • Crowd Pleaser6
  • Mixed2

Most loved · editor

We Loved Each Other So Much (2003)

Midcredits 96th · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Menno Boerema work with?

People who share at least 2 of Menno Boerema's MovieCove titles, grouped by what they did on them; Marjoleine Boonstra shares the most, 2.

Directors

Producers