- May 1, 1901
- May 5, 1990 (aged 89)
- Arad, Hungary
- Writer and producer
- 7 on MovieCove · 23 credits in all
What are Endre Bohém's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 0 · Dark 3
Grounded 3 · Stylized 3 · Heightened 0
Gentle 2 · Charged 2 · Intense 2
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 3 · Funny 0
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Endre Bohém's films?
As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Endre Bohém's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 7 with a MovieCove page.

Twenty Bucks(1993)
Midcredits score: 52nd percentile of all films
The Boys of Paul Street(1968)
Midcredits score: 96th percentile of all films
Rawhide (not in the MovieCove catalog yet)(1959)

Desert Hell (not in the MovieCove catalog yet)(1958)

Cattle Empire (not in the MovieCove catalog yet)(1958)

Pawnee (not in the MovieCove catalog yet)(1957)

Monster from Green Hell(1957)
Midcredits score: 2nd percentile of all films
Midcredits score: 51st percentile of all shows
Bengazi (not in the MovieCove catalog yet)(1955)
Heart of Gold (not in the MovieCove catalog yet)(1953)

Alias Nick Beal(1949)
Midcredits score: 83rd percentile of all films
Midcredits score: 83rd percentile of all films
Television Spy (not in the MovieCove catalog yet)(1939)

Blackmail (not in the MovieCove catalog yet)(1939)

Four Girls in White (not in the MovieCove catalog yet)(1939)
Little Orphan Annie (not in the MovieCove catalog yet)(1938)

Lord Jeff (not in the MovieCove catalog yet)(1938)

Two Wise Maids (not in the MovieCove catalog yet)(1937)

Larceny on the Air (not in the MovieCove catalog yet)(1937)

Happy-Go-Lucky(1936)
Midcredits score: 17th percentile of all films (provisional, few ratings)
The Girl from Mandalay (not in the MovieCove catalog yet)(1936)

The House of a Thousand Candles (not in the MovieCove catalog yet)(1936)

Desert Nights (not in the MovieCove catalog yet)(1929)
Career shape
A full career of 23 titles from 1929 to 1993.

Biggest box office
Twenty Bucks (1993)

Highest rated
The Boys of Paul Street (1968)

Most popular right now
Twenty Bucks (1993)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Endre Bohém's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- Below 25th2
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser4
- Mixed1
Reviewers score the dialogue 52/100 and the plot and story 48/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Endre Bohém work with?
People who share at least 2 of Endre Bohém's MovieCove titles; John Farrow shares the most, 2.
- John FarrowShared titles: Alias Nick Beal (1949), Night Has a Thousand Eyes (1948)See all 2 shared titles with John Farrow

- Jonathan LatimerShared titles: Alias Nick Beal (1949), Night Has a Thousand Eyes (1948)See all 2 shared titles with Jonathan Latimer