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MovieCove

Jean Bolvary

Producer and writer

Works as
Producer and writer
Titles
5 on MovieCove

What are Jean Bolvary's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
26%
Morality
19%
Power
18%
Bonds
17%
Survival
16%
Society
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 4

A split, not a type: Grounded 3 · Stylized 2 · Heightened 0

Gentle 0 · Charged 3 · Intense 2

A split, not a type: Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 2

Easy watch 0 · Affecting 1 · Heavy 4

Resolved 0 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
3
Dread
2
Contemplative
2
Warm
1
Other
1

How their films end · 1 with a twist

  • Bittersweet1
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean Bolvary's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

Subscription and free streaming for Jean Bolvary's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Madame Rosa(1977)

    Producer

    Midcredits score: 85th percentile of all films
  • Mr. Klein(1976)

    Producer

    Midcredits score: 94th percentile of all films
  • Max and the Junkmen(1971)

    Producer

    Midcredits score: 89th percentile of all films
  • The Things of Life(1970)

    Producer

    Midcredits score: 91st percentile of all films
  • Diabolically Yours(1967)

    Writer

    Midcredits score: 42nd percentile of all films

Career shape

Across their 5 MovieCove titles from 1967 to 1977.

By role

only this rolewith another role
Writing1 of 5: 1 only writing, 0 with another roleProducing4 of 5: 4 only producing, 0 with another role

By decade

1960s1 · crew1970s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Jean Bolvary's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 5

Approval · how many liked their films

89thpercentile
Typical film, the median of 5

Reach · how many have seen their films

78thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up4
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed1

Reviewers score the dialogue 60/100 and the plot and story 56/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jean Bolvary work with?

People who share at least 2 of Jean Bolvary's MovieCove titles, grouped by what they did on them; Raymond Danon shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles