
Fortunio Bonanova
Actor · Died April 2, 1969, aged 74 · Palma de Mallorca, Mallorca, Balearic Islands, Spain
Fortunio Bonanova, pseudonym of Josep Lluís Moll, (13 January 1895 – 2 April 1969) was a Spanish baritone singer and a film, theater, and television actor. He occasionally worked as a producer and director. According to Lluis Fàbregas Cuixart, the pseudonym Fortunio Bonanova referred to his desire to seek fortune, and his love of the Bonanova neighborhood in his native Palma. As a young man, living under his birthname, he was a professional telegraph operator. He studied music with the Italian Giovachini. In 1921, he debuted as a singer in Tannhäuser, at the Teatre Principal in Palma. That year, along with a group of Majorcan intellectuals and Jorge Luis Borges (who was briefly living in Majorca with his parents and sister), he signed the Ultraist Manifesto, using the name Fortunio Bonanova. Also in 1921, he appeared in a silent film of Don Juan Tenorio by the brothers Baños, which was shown the following year in New York City and Hollywood. He later directed his own Don Juan in 1924. In 1927, he acted in Love of Sunya, directed by Albert Parker and starring Gloria Swanson. In 1932 he had small parts in Hollywood productions featuring Joan Bennett and Mary Astor. In the same period, he appeared in New York in several operas as well as the zarzuelas La Canción del Olvido ("The song of forgetting"), La Duquesa del Tabarín ("The Duchess of Tabarín"), Los Gavilanes, and La Montería. In 1934, he returned to Spain, where he had a major role in the film El Desaparecido ("The disappeared one") written and directed by Antonio Graciani. In 1935 he acted and sang in the film Poderoso Caballero ("A Big Guy"), directed by Màximo Nossik. In 1936, with the outbreak of the Spanish Civil War, he returned to the United States, where he played the role of Captain Bill in a film called Capitán Tormenta, directed by Jules Bernhardt. A sequence of increasingly larger acting and singing roles mostly in English-language films followed, especially after 1940. Among his roles were Signor Matiste, Susan Alexander Kane's opera coach in Citizen Kane (1941); General Sebastiano in Five Graves to Cairo (1943); Don Miguel in The Black Swan (1942); Fernando in For Whom the Bell Tolls (1943); Sam Garlopis in Double Indemnity (1944); and a singing Christopher Columbus in Where Do We Go From Here?. He continued for the next several decades in a miscellany of character roles.
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Biography from TMDB.
- January 13, 1895
- April 2, 1969 (aged 74)
- Palma de Mallorca, Mallorca, Balearic Islands, Spain
- Actor
- 42 on MovieCove · 81 credits in all
What are Fortunio Bonanova's films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 22
A split, not a type: Light 13 · Serious 5 · Dark 5
Grounded 9 · Stylized 9 · Heightened 5
Gentle 7 · Charged 11 · Intense 5
Steady 9 · Shifting 14 · Whiplash 0
A split, not a type: Straight-faced 14 · Some laughs 5 · Funny 4
Slow burn 10 · Even-paced 12 · Relentless 1
Casual 16 · Engaged 6 · Full focus 1
Easy watch 11 · Affecting 8 · Heavy 4
Resolved 20 · Open-ended 3 · Ambiguous 0
Roles they play
- Mentoras Old Baba in Ali Baba and the Forty Thieves (1943)
- Shapeshifteras Kuda in The Sultan's Daughter (1943)
- Threshold guardianas Antonio Morales in Fiesta (1947)
- Tricksteras Serge Bolanos in The Saga of Hemp Brown (1958)
Moods and endings
- Happy11
- Bittersweet10
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Fortunio Bonanova's films?
As of October 24, 2026, 8 of their 42 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Fortunio Bonanova's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
81 credits, 42 with a MovieCove page.

Death Whistles the Blues (not in the MovieCove catalog yet)(1964)

The Ballad of Hector the Stowaway Dog (not in the MovieCove catalog yet)(1964)

The Running Man(1963)
Midcredits score: 62nd percentile of all films
Thunder in the Sun(1959)
Midcredits score: 24th percentile of all films
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

The Saga of Hemp Brown(1958)
Midcredits score: 43rd percentile of all films
An Affair to Remember(1957)
Midcredits score: 91st percentile of all films
The Count of Monte Cristo (not in the MovieCove catalog yet)(1956)

Jaguar (not in the MovieCove catalog yet)(1956)

Kiss Me Deadly(1955)
Midcredits score: 92nd percentile of all films
New York Confidential (not in the MovieCove catalog yet)(1955)

December Bride (not in the MovieCove catalog yet)(1954)

With This Ring (not in the MovieCove catalog yet)(1954)

The Girl on The Roof (not in the MovieCove catalog yet)(1953)

Conquest of Cochise(1953)
Midcredits score: 18th percentile of all films
Second Chance(1953)
Midcredits score: 36th percentile of all films
So This Is Love(1953)
Midcredits score: 33rd percentile of all films
The Moon Is Blue(1953)
Midcredits score: 69th percentile of all films
Thunder Bay(1953)
Midcredits score: 57th percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)
Midcredits score: 89th percentile of all shows
I Love Lucy(1951)
Midcredits score: 93rd percentile of all shows
Havana Rose (not in the MovieCove catalog yet)(1951)

Racket Squad (not in the MovieCove catalog yet)(1951)

September Affair(1950)
Midcredits score: 67th percentile of all films
Nancy Goes to Rio (not in the MovieCove catalog yet)(1950)

Whirlpool(1950)
Midcredits score: 72nd percentile of all films
Bad Men of Tombstone (not in the MovieCove catalog yet)(1949)

Adventures of Don Juan(1948)
Midcredits score: 80th percentile of all films
Angel on the Amazon(1948)
Midcredits score: 22nd percentile of all films
Romance on the High Seas(1948)
Midcredits score: 81st percentile of all films
Rose of Santa Rosa (not in the MovieCove catalog yet)(1947)

The Fugitive(1947)
Midcredits score: 58th percentile of all films
La diosa arrodillada(1947)
Midcredits score: 78th percentile of all films
Fiesta(1947)
Midcredits score: 37th percentile of all films
Monsieur Beaucaire (not in the MovieCove catalog yet)(1946)

Pepita Jiménez (not in the MovieCove catalog yet)(1946)
Hit the Hay (not in the MovieCove catalog yet)(1945)

Man Alive (not in the MovieCove catalog yet)(1945)

The Red Dragon (not in the MovieCove catalog yet)(1945)

A Bell for Adano(1945)
Midcredits score: 66th percentile of all films
La pícara Susana (not in the MovieCove catalog yet)(1945)

Where Do We Go from Here? (not in the MovieCove catalog yet)(1945)

Brazil (not in the MovieCove catalog yet)(1944)

Mrs. Parkington(1944)
Midcredits score: 78th percentile of all films
Double Indemnity(1944)
Midcredits score: 99th percentile of all films
My Best Gal (not in the MovieCove catalog yet)(1944)
Midcredits score: 54th percentile of all films
Going My Way(1944)
Midcredits score: 79th percentile of all films
The Sultan's Daughter(1943)
Midcredits score: 10th percentile of all films (provisional, few ratings)
For Whom the Bell Tolls(1943)
Midcredits score: 72nd percentile of all films
Dixie(1943)
Midcredits score: 48th percentile of all films
Five Graves to Cairo(1943)
Midcredits score: 89th percentile of all films
The Black Swan(1942)
Midcredits score: 69th percentile of all films
Girl Trouble(1942)
Midcredits score: 68th percentile of all films
Larceny, Inc(1942)
Midcredits score: 89th percentile of all films
Obliging Young Lady (not in the MovieCove catalog yet)(1942)

Four Jacks and a Jill(1942)
Midcredits score: 20th percentile of all films
Mr. and Mrs. North (not in the MovieCove catalog yet)(1942)

Two Latins from Manhattan (not in the MovieCove catalog yet)(1941)

A Yank in the RAF(1941)
Midcredits score: 54th percentile of all films
Unfinished Business (not in the MovieCove catalog yet)(1941)

Moon Over Miami (not in the MovieCove catalog yet)(1941)

Blood and Sand(1941)
Midcredits score: 72nd percentile of all films
They Met in Argentina(1941)
Midcredits score: 9th percentile of all films
Citizen Kane(1941)
Midcredits score: 98th percentile of all films
That Night in Rio(1941)
Midcredits score: 70th percentile of all films
The Mark of Zorro(1940)
Midcredits score: 92nd percentile of all films
Down Argentine Way(1940)
Midcredits score: 54th percentile of all films
I Was an Adventuress(1940)
Midcredits score: 68th percentile of all films
Midcredits score: 41st percentile of all films
Tropic Holiday (not in the MovieCove catalog yet)(1938)

Romance in the Dark (not in the MovieCove catalog yet)(1938)

El carnaval del diablo (not in the MovieCove catalog yet)(1936)

Poderoso caballero (not in the MovieCove catalog yet)(1935)

El desaparecido (not in the MovieCove catalog yet)(1934)

A Successful Calamity (not in the MovieCove catalog yet)(1932)

Careless Lady (not in the MovieCove catalog yet)(1932)

Pacto con el Diablo (o el socio, Mr. Davis) (not in the MovieCove catalog yet)(1929)
Las cuatro plumas (not in the MovieCove catalog yet)(1928)

Don Juan Tenorio (not in the MovieCove catalog yet)(1922)
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 81 titles from 1922 to 1964.
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Fortunio Bonanova's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 40; across their 23 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up14
- 50th to 74th16
- 25th to 49th6
- Below 25th6
Shape of the crowd
24 of their 42 titles are Crowd Pleasers.
- Universally Loved7
- Crowd Pleaser24
- Broadly Agreed4
- Mixed7
Reviewers score the acting 66/100 in their films, across 22 reviewed titles; fans 76, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Fortunio Bonanova's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Fortunio Bonanova work with?
People who share at least 2 of Fortunio Bonanova's MovieCove titles, grouped by what they did on them; Buddy G. DeSylva shares the most, 4.
Directors
- Leo McCareyShared titles: An Affair to Remember (1957), Going My Way (1944)See all 2 shared titles with Leo McCarey

- Otto PremingerShared titles: The Moon Is Blue (1953), Whirlpool (1950)See all 2 shared titles with Otto Preminger

- Billy WilderShared titles: Double Indemnity (1944), Five Graves to Cairo (1943)See all 2 shared titles with Billy Wilder

Writers
- Ben HechtShared titles: September Affair (1950), Whirlpool (1950), The Black Swan (1942)See all 3 shared titles with Ben Hecht

- Guy TrosperShared titles: Thunder in the Sun (1959), Girl Trouble (1942)See all 2 shared titles with Guy Trosper
- Andrew SoltShared titles: September Affair (1950), Whirlpool (1950)See all 2 shared titles with Andrew Solt
- Dudley NicholsShared titles: The Fugitive (1947), For Whom the Bell Tolls (1943)See all 2 shared titles with Dudley Nichols
Actors
- Akim TamiroffShared titles: Fiesta (1947), Five Graves to Cairo (1943), For Whom the Bell Tolls (1943)See all 3 shared titles with Akim Tamiroff

- Chris-Pin MartinShared titles: The Fugitive (1947), Ali Baba and the Forty Thieves (1943), The Sultan's Daughter (1943)See all 3 shared titles with Chris-Pin Martin

- Arturo de CórdovaShared titles: La diosa arrodillada (1947), For Whom the Bell Tolls (1943)See all 2 shared titles with Arturo de Córdova

- Frank PugliaShared titles: Fiesta (1947), Ali Baba and the Forty Thieves (1943)See all 2 shared titles with Frank Puglia

Composers, cinematographers and editors
- John F. SeitzShared titles: Double Indemnity (1944), Going My Way (1944), Five Graves to Cairo (1943)See all 3 shared titles with John F. Seitz

- Russell F. SchoengarthShared titles: Thunder Bay (1953), Ali Baba and the Forty Thieves (1943)See all 2 shared titles with Russell F. Schoengarth
- Victor YoungShared titles: September Affair (1950), For Whom the Bell Tolls (1943)See all 2 shared titles with Victor Young

- Miklós RózsaShared titles: Double Indemnity (1944), Five Graves to Cairo (1943)See all 2 shared titles with Miklós Rózsa

Producers
- Buddy G. DeSylvaShared titles: Double Indemnity (1944), Going My Way (1944), Five Graves to Cairo (1943), For Whom the Bell Tolls (1943)See all 4 shared titles with Buddy G. DeSylva
- Robert BasslerShared titles: Girl Trouble (1942), The Black Swan (1942)See all 2 shared titles with Robert Bassler
