Vittorio Bonicelli
Writer · Died July 26, 1994, aged 75
- January 1, 1919
- July 26, 1994 (aged 75)
- Writer
- 6 on MovieCove · 21 credits in all
What are Vittorio Bonicelli's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 2 · Stylized 2 · Heightened 2
Gentle 1 · Charged 3 · Intense 2
Steady 5 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 4 · Full focus 0
Easy watch 2 · Affecting 3 · Heavy 1
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vittorio Bonicelli's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Vittorio Bonicelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 6 with a MovieCove page.
A rischio d'amore (not in the MovieCove catalog yet)(1994)
Charlemagne, le prince à cheval (not in the MovieCove catalog yet)(1994)
Ci sarà un giorno (Il giovane Pertini) (not in the MovieCove catalog yet)(1993)
Cellini: A Violent Life(1990)
Midcredits score: 55th percentile of all films
Il colore della vittoria (not in the MovieCove catalog yet)(1990)
Un Bambino in Fuga - Tre Anni Dopo (not in the MovieCove catalog yet)(1990)
A Child Called Jesus (not in the MovieCove catalog yet)(1987)
The Inquiry (not in the MovieCove catalog yet)(1986)
Un delitto (not in the MovieCove catalog yet)(1984)
The Wings of the Dove (not in the MovieCove catalog yet)(1981)
Moses the Lawgiver (not in the MovieCove catalog yet)(1976)
Pure as a Lily(1976)
Midcredits score: 3rd percentile of all films
Eneide (not in the MovieCove catalog yet)(1971)
Midcredits score: 86th percentile of all films
Waterloo(1970)
Midcredits score: 92nd percentile of all films
Youth March (not in the MovieCove catalog yet)(1969)
The Odyssey (not in the MovieCove catalog yet)(1969)
Acts of the Apostles (not in the MovieCove catalog yet)(1969)
Barbarella(1968)
Midcredits score: 42nd percentile of all films
Midcredits score: 58th percentile of all films
Il paradiso dell'uomo (not in the MovieCove catalog yet)(1963)
Career shape
A full career of 21 titles from 1963 to 1994.
Biggest box office
Barbarella (1968)
Highest rated
Waterloo (1970)
Most popular right now
Barbarella (1968)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Vittorio Bonicelli's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser2
- Mixed1
Reviewers score the dialogue 57/100 and the plot and story 46/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Vittorio Bonicelli's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Vittorio Bonicelli work with?
People who share at least 2 of Vittorio Bonicelli's MovieCove titles, grouped by what they did on them; Dino De Laurentiis shares the most, 3.
Writers
- Mario SoldatiShared titles: Waterloo (1970), The Bible in the Beginning... (1966)See all 2 shared titles with Mario Soldati
Producers
- Dino De LaurentiisShared titles: Waterloo (1970), Barbarella (1968), The Bible in the Beginning... (1966)See all 3 shared titles with Dino De Laurentiis
Mixed roles
- Orson WellesShared titles: Waterloo (1970), The Bible in the Beginning... (1966)See all 2 shared titles with Orson Welles
