Claudio Bonivento

What are Claudio Bonivento's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Claudio Bonivento's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • The Escort (1993) · producer · free

Subscription and free streaming for Claudio Bonivento's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Who Killed Pasolini?(1995)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  Briganti: Amore e libertà(1994)

  Producer

  Midcredits score: 22nd percentile of all films22^nd
• 

  The Escort(1993)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Les secrets professionnels du Docteur Apfelgluck(1991)

  Producer

  Midcredits score: 27th percentile of all films27^th
• 

  Speaking of the Devil(1991)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  The Inner Circle(1991)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Forever Mary(1989)

  Producer

  Midcredits score: 93rd percentile of all films93^rd

Career shape

Across their 7 MovieCove titles from 1989 to 1995.

Biggest box office

The Escort (1993)

$147K worldwide

Highest rated

Forever Mary (1989)

Midcredits 93^rd

Most popular right now

Speaking of the Devil (1991)

How do Claudio Bonivento's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

5 of their 7 titles are Crowd Pleasers.

151

• Cult Classic1
• Crowd Pleaser5
• Mixed1

Most divisive · producer

Briganti: Amore e libertà (1994)

80^th percentile spread · 30% rated it 4 or lower

Most loved · producer

Forever Mary (1989)

Midcredits 93^rd · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Claudio Bonivento work with?

People who share at least 2 of Claudio Bonivento's MovieCove titles, grouped by what they did on them; Claudio Amendola shares the most, 4.