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Laurie Borg

Producer · Born August 22, 1961 (65) · Buckrose, Yorkshire, England, UK

Primetime Emmy winner · BAFTA Award winner

Laurie Borg is a producer and production manager.

Biography from TMDB.

Born
August 22, 1961 (65)
From
Buckrose, Yorkshire, England, UK
Works as
Producer
Titles
30 on MovieCove · 36 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 29% in 30 days

What are Laurie Borg's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy5 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 54th percentile
: browse their Drama movies
Biography4 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Biography movies
Crime3 titlesTypical Midcredits score: 23rd percentile
: browse their Crime movies
Action2 titlesTypical Midcredits score: 37th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
30%
Bonds
22%
Morality
15%
Power
13%
Survival
8%
Society
7%
Ideas
5%
Romantic love6 titles, browse their movies with this themeFamily bonds5 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 4 · Dark 10

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 10 · Stylized 9 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 12 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 13 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 9 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 10 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 13 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
11
Romantic
7
Dread
4
Bittersweet
6
Other
23

How their films linger

Hopeful9 titles, browse their movies with this aftertasteThought-provoking8 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy4
  • Bittersweet10
  • Tragic3
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laurie Borg's films?

As of October 24, 2026, 16 of their 30 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Laurie Borg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 30 with a MovieCove page.

  • War(2026)

    Show Producer

    Midcredits score: 53rd percentile of all shows

  • Hamnet(2025)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Foundation(2021)

    Show 10 episodes · Co-Executive Producer

    Midcredits score: 71st percentile of all shows

  • His Dark Materials(2019)

    Show 8 episodes · Producer

    Midcredits score: 83rd percentile of all shows

  • London Fields(2018)

    Co-Producer

    Midcredits score: 3rd percentile of all films

  • Gunpowder(2017)

    Show 3 episodes · Producer

    Midcredits score: 28th percentile of all shows

  • Peaky Blinders(2013)

    Show 6 episodes · Producer

    Midcredits score: 99th percentile of all shows

  • The Challenger Disaster(2013)

    Producer

    Midcredits score: 89th percentile of all films

  • Great Expectations(2012)

    Co-Producer

    Midcredits score: 54th percentile of all films

  • Bel Ami(2012)

    Co-Producer

    Midcredits score: 23rd percentile of all films

  • Treasure Island (not in the MovieCove catalog yet)(2012)

    Show 2 episodes · Line Producer · Producer

  • Black Mirror(2011)

    Show 3 episodes · Producer

    Midcredits score: 98th percentile of all shows

  • Made in Dagenham(2010)

    Line Producer

    Midcredits score: 84th percentile of all films

  • Occupation (not in the MovieCove catalog yet)(2009)

    Show 3 episodes · Producer

  • How to Lose Friends & Alienate People(2008)

    Co-Producer

    Midcredits score: 48th percentile of all films

  • When Did You Last See Your Father?(2007)

    Co-Producer

    Midcredits score: 71st percentile of all films

  • Asylum(2005)

    Producer

    Midcredits score: 40th percentile of all films

  • Mrs. Henderson Presents(2005)

    Line Producer

    Midcredits score: 78th percentile of all films

  • If Only(2004)

    Co-Producer

    Midcredits score: 81st percentile of all films

  • The Four Feathers(2002)

    Co-Producer

    Midcredits score: 62nd percentile of all films

  • Wild About Harry (not in the MovieCove catalog yet)(2000)

    Producer

  • Fanny and Elvis(1999)

    Producer

    Midcredits score: 47th percentile of all films

  • B. Monkey(1998)

    Co-Producer

    Midcredits score: 40th percentile of all films

  • Little Voice(1998)

    Co-Producer

    Midcredits score: 79th percentile of all films

  • Phantoms(1998)

    Line Producer

    Midcredits score: 22nd percentile of all films

  • The Break(1997)

    Producer

    Midcredits score: 27th percentile of all films

  • Sense and Sensibility(1995)

    Co-Producer

    Midcredits score: 97th percentile of all films

  • Funny Bones(1995)

    Co-Producer

    Midcredits score: 73rd percentile of all films

  • The Glam Metal Detectives (not in the MovieCove catalog yet)(1995)

    Show 7 episodes · Associate Producer

  • Shopping(1994)

    Line Producer

    Midcredits score: 32nd percentile of all films

  • The Line, the Cross & the Curve (not in the MovieCove catalog yet)(1994)

    First Assistant Director

  • Orlando(1992)

    Line Producer

    Midcredits score: 86th percentile of all films

  • Split Second(1992)

    Line Producer

    Midcredits score: 41st percentile of all films

  • On the Wire (not in the MovieCove catalog yet)(1990)

    Producer

  • The Tall Guy(1989)

    Location Manager

    Midcredits score: 51st percentile of all films

  • Restless Natives(1985)

    Location Manager

    Midcredits score: 81st percentile of all films

Career shape

A full career of 34 titles from 1985 to 2025.

Biggest box office

Sense and Sensibility (1995)

$135M worldwide

Highest rated

Hamnet (2025)

Midcredits 97th

Most popular right now

War (2026)

By role

only this rolewith another role
Producing31 of 34: 31 only producing, 0 with another role · typical Midcredits score71stOther crew3 of 34: 3 only other crew, 0 with another role

By decade

1980s2 · crew1990s12 · crew2000s8 · crew2010s10 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy and a BAFTA Award from 2 major nominations, 2010–2017.

  1. 2017
    • Primetime Emmy, won · Outstanding Television Movie
  2. 2010
    • BAFTA Award, won · Best Drama Serial

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Laurie Borg's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 24; across their 21 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 21

Approval · how many liked their films

56thpercentile
Typical film, the median of 21

Reach · how many have seen their films

90thpercentile
Typical film, the median of 21

Midcredits score across 30 titles, by percentile

  • 75th and up12
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th3

Shape of the crowd

15 of their 30 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser15
  • Broadly Agreed1
  • Mixed10

Most divisive · producer

London Fields (2018)

73rd percentile spread · 67% rated it 4 or lower

Most loved · producer

Peaky Blinders (2013)

Midcredits 99th · 95% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Laurie Borg's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles19–89 · median 62 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles11–65 · median 49 · moderateheavier than most filmsMedian of all films: 32
Profanity9 titles8–73 · median 33 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs7 titles21–62 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles9–78 · median 60 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Laurie Borg work with?

People who share at least 2 of Laurie Borg's MovieCove titles, grouped by what they did on them; Stephen Woolley shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers