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Ferike Boros

Ferike Boros

Actor · Died January 16, 1951, aged 77 · Nagyvárad, Austria-Hungary [now Oradea, Romania]

Ferike Boros (3 August 1873 – 16 January 1951) was a Hungarian-born American stage and movie actress. Born in Nagyvárad, Austria-Hungary, in 1873, Boros was on stage starting in 1893. She moved to London in 1903, two years later appearing at Covent Garden. In Hungary, she performed in the National Court Theatre (NCT) in Budapest. In 1909, while still with the NCT, she visited the United States and Canada as part of a trip around the world to report on how dramatic productions were staged in each country that she visited. As she visited various theatrical managers in New York City, she regularly encountered rejection despite her official letter (written in English) from the NCT. In one office she was told, "Oh, Mr. Belasco is flooded with crazy communications from freaks and fakirs and cranks ..." After being well-coached in English and the conventions of American show business, she had a long career on the Broadway stage and in theatrical touring companies, from 1909 through 1927; thereafter she was seen in character roles in motion pictures. Boros died in her home in Van Nuys, California, on 16 January 1951, aged 77. Description above from the Wikipedia article Ferike Boros, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
August 1, 1873
Died
January 16, 1951 (aged 77)
From
Nagyvárad, Austria-Hungary [now Oradea, Romania]
Works as
Actor
Titles
24 on MovieCove · 44 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Ferike Boros' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama6 titlesTypical Midcredits score: 59th percentile
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 73rd percentile, at or above their average across these genres
: browse their Comedy movies
Adventure2 titlesTypical Midcredits score: 59th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
40%
Self
25%
Power
13%
Morality
12%
Survival
8%
Ideas
2%
Romantic love6 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeClass3 titles, browse their movies with this themeObsession2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 10 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 9 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 5 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 6 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 10 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 1 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Romantic
5
Joyful
4
Warm
4
Tense
4
Other
9

How their films linger

Feel-good7 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet7
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ferike Boros' films?

As of October 24, 2026, 8 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Ferike Boros' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

44 credits, 24 with a MovieCove page.

  • East Side, West Side(1949)

    as Rosa's Grandma Senta (uncredited)

    Midcredits score: 80th percentile of all films

  • High Conquest (not in the MovieCove catalog yet)(1947)

    as Grandmother on Train

  • Specter of the Rose(1946)

    as Mamochka

    Midcredits score: 38th percentile of all films

  • This Love of Ours(1945)

    as Housekeeper

    Midcredits score: 29th percentile of all films

  • A Tree Grows in Brooklyn(1945)

    as Grandmother (uncredited)

    Midcredits score: 97th percentile of all films

  • Princess O'Rourke (not in the MovieCove catalog yet)(1943)

    as Mrs. Anna Pulaski (uncredited)

  • Margin for Error (not in the MovieCove catalog yet)(1943)

    as Mrs. Finkelstein

  • Once Upon a Honeymoon(1942)

    as Elsa

    Midcredits score: 60th percentile of all films

  • The Pied Piper (not in the MovieCove catalog yet)(1942)

    as Madame

  • The Talk of the Town(1942)

    as Mrs. Pulaski (uncredited)

    Midcredits score: 93rd percentile of all films

  • Private Nurse (not in the MovieCove catalog yet)(1941)

    as Mrs. Sarah Goldberg

  • Caught in the Draft(1941)

    as Yetta

    Midcredits score: 62nd percentile of all films

  • Sleepers West (not in the MovieCove catalog yet)(1941)

    Actor

  • Gallant Sons(1940)

    as Madame Wachek

    Midcredits score: 56th percentile of all films

  • Christmas in July(1940)

    as Mrs. Schwartz

    Midcredits score: 89th percentile of all films

  • Argentine Nights (not in the MovieCove catalog yet)(1940)

    as Mama Viejos

  • Girl from God's Country (not in the MovieCove catalog yet)(1940)

    as Mrs. Broken Thumb

  • La Conga Nights (not in the MovieCove catalog yet)(1940)

    as Mama O'Brien

  • Lillian Russell(1940)

    as Mrs. Rose

    Midcredits score: 60th percentile of all films

  • The Light That Failed(1939)

    as Madame Binat

    Midcredits score: 57th percentile of all films

  • Rio (not in the MovieCove catalog yet)(1939)

    as Maria (as Ferika Boras)

  • Fifth Avenue Girl(1939)

    as Olga

    Midcredits score: 73rd percentile of all films

  • Dust Be My Destiny(1939)

    as Delicatessen Proprietress

    Midcredits score: 74th percentile of all films

  • Bachelor Mother(1939)

    as Mrs. Weiss

    Midcredits score: 93rd percentile of all films

  • Stronger Than Desire (not in the MovieCove catalog yet)(1939)

    as Mrs. D'Amoro

  • Love Affair(1939)

    as Terry's Landlady (uncredited)

    Midcredits score: 89th percentile of all films

  • Make Way for Tomorrow(1937)

    as Mrs. Sarah Rubens (uncredited)

    Midcredits score: 98th percentile of all films

  • Hi, Gaucho! (not in the MovieCove catalog yet)(1935)

    as Emelia

  • Symphony of Living(1935)

    as Mary Schultz

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

  • The Fountain (not in the MovieCove catalog yet)(1934)

    as Nurse

  • Eight Girls in a Boat (not in the MovieCove catalog yet)(1934)

    as Frau Kruger

  • Rafter Romance (not in the MovieCove catalog yet)(1933)

    as Rosie Eckbaum (uncredited)

  • Humanity (not in the MovieCove catalog yet)(1933)

    as Mrs. Bernstein

  • Huddle (not in the MovieCove catalog yet)(1932)

    as Mrs. Amatto

  • The World and the Flesh(1932)

    as Sasha

    Midcredits score: 24th percentile of all films (provisional, few ratings)

  • Uptown New York(1932)

    as Elderly Woman

    Midcredits score: 55th percentile of all films

  • Private Lives(1931)

    as Cook at Chalet (uncredited)

    Midcredits score: 71st percentile of all films

  • Svengali(1931)

    as Marta (uncredited)

    Midcredits score: 68th percentile of all films

  • Gentleman's Fate (not in the MovieCove catalog yet)(1931)

    as Angela

  • Little Caesar(1931)

    as Mrs. Passa (uncredited)

    Midcredits score: 84th percentile of all films

  • Ladies Love Brutes (not in the MovieCove catalog yet)(1930)

    as Mrs. Forziati

  • Born Reckless(1930)

    as Ma Beretti

    Midcredits score: 22nd percentile of all films

  • The Younger Generation(1929)

    as Delancey Street Woman

    Midcredits score: 56th percentile of all films

  • Her Boy (not in the MovieCove catalog yet)(1918)

    as Mrs. Schultz

Career shape

Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 42 titles from 1918 to 1949.

Biggest box office

Fifth Avenue Girl (1939)

$9.6K worldwide

Highest rated

A Tree Grows in Brooklyn (1945)

Midcredits 97th

Most popular right now

The Younger Generation (1929)

Film career

By role

only this rolewith another role
Acting42 of 42: 42 only acting, 0 with another role · typical Midcredits score70th

By decade

1910s1 · acting1920s1 · acting1930s21 · acting1940s19 · acting

Billing

usually 11th · top billed in 0% of 11 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Ferike Boros' films land?

Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 24; across their 14 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 14

Approval · how many liked their films

60thpercentile
Typical film, the median of 14

Reach · how many have seen their films

46thpercentile
Typical film, the median of 14

Midcredits score across 24 titles, by percentile

  • 75th and up8
  • 50th to 74th12
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

14 of their 24 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser14
  • Broadly Agreed2
  • Mixed4

Most divisive · actor

Specter of the Rose (1946)

63rd percentile spread · 25% rated it 4 or lower

Most loved · actor

Make Way for Tomorrow (1937)

Midcredits 98th · 87% liked

Reviewers score the acting 71/100 in their films, across 14 reviewed titles; fans 78, detractors 49. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ferike Boros work with?

People who share at least 2 of Ferike Boros' MovieCove titles, grouped by what they did on them; Ginger Rogers shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers