Skip to content
MovieCove

Frédéric Bovis

Producer · Born December 3, 1959 (66) · Zürich, Switzerland

Born
December 3, 1959 (66)
From
Zürich, Switzerland
Works as
Producer
Titles
12 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 64 days to Oct 27Down 31% in 30 days

What are Frédéric Bovis' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
29%
Bonds
18%
Power
14%
Society
14%
Survival
10%
Ideas
9%
Morality
7%
Ambition3 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 6 · Serious 0 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 5 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
3
Joyful
4
Warm
3
Tense
2
Manic
2
Other
8

How their films linger

Fun6 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frédéric Bovis' films?

As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Also on these channels

Subscription and free streaming for Frédéric Bovis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • Girls to Buy(2021)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Under the Eiffel Tower(2018)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Cold Skin(2017)

    Producer

    Midcredits score: 43rd percentile of all films

  • Rammstein: Paris(2017)

    Producer

    Midcredits score: 85th percentile of all films

  • Player (not in the MovieCove catalog yet)(2013)

    Co-Producer

  • Mr. Nice(2010)

    Producer

    Midcredits score: 56th percentile of all films

  • What Just Happened(2008)

    Production Supervisor

    Midcredits score: 24th percentile of all films

  • Sahara(2005)

    Unit Production Manager

    Midcredits score: 41st percentile of all films

  • A Good Woman(2004)

    Producer

    Midcredits score: 56th percentile of all films

  • Johnny English(2003)

    Producer

    Midcredits score: 54th percentile of all films

  • Swordfish(2001)

    Production Supervisor

    Midcredits score: 55th percentile of all films

  • 102 Dalmatians(2000)

    Producer

    Midcredits score: 13th percentile of all films

  • The Unsewing Machine (not in the MovieCove catalog yet)(1986)

    Location Manager · as Le marchand de voitures

  • The Bride(1985)

    Location Manager

    Midcredits score: 20th percentile of all films

  • Vanity Fair (not in the MovieCove catalog yet)(1911)

    Location Manager

Career shape

A full career of 10 titles from 1911 to 2021.

Biggest box office

102 Dalmatians (2000)

$184M worldwide

Highest rated

Rammstein: Paris (2017)

Midcredits 85th

Most popular right now

Johnny English (2003)

By role

only this rolewith another role
Acting1 of 10: 0 only acting, 1 with another roleProducing4 of 10: 4 only producing, 0 with another roleOther crew6 of 10: 5 only other crew, 1 with another role

By decade

1910s1 · crew1980s2 · 1 acting · 2 crew2000s4 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Frédéric Bovis' films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 12; across their 8 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 8

Approval · how many liked their films

45thpercentile
Typical film, the median of 8

Reach · how many have seen their films

89thpercentile
Typical film, the median of 8

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

5 of their 12 titles are Mixed.

  • Divisive1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed5

Most divisive · producer

Rammstein: Paris (2017)

98th percentile spread · 32% rated it 4 or lower

Most loved · producer

Rammstein: Paris (2017)

Midcredits 85th · 62% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Frédéric Bovis' work okay for kids?

Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 63 · intenseMedian of all films: 44
Sex & Nudity5 titles14–63 · median 35 · moderatenear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 41 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 34 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 43 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Frédéric Bovis work with?

People who share at least 2 of Frédéric Bovis' MovieCove titles, grouped by what they did on them; Denise O'Dell shares the most, 4.

Producers