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Mark Bowden

Mark Bowden

Writer and actor · Born July 17, 1951 (75) · St. Louis, Missouri, USA

Mark Bowden was born on 17 July 1951 in St. Louis, Missouri, USA. He is a writer and producer, known for Black Hawk Down (2001), Luna Park and Money for Nothing (1993). He is married to Gail Louise McLaughlin. They have five children.

Biography from IMDb.

Born
July 17, 1951 (75)
From
St. Louis, Missouri, USA
Works as
Writer and actor
Titles
3 on MovieCove · 6 credits in all

What are Mark Bowden's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
24%
Survival
22%
Society
21%
Bonds
13%
Ideas
12%
Power
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 1 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 1 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Thrilling
2
Absurd
1
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Bowden's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mark Bowden's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 3 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Black Hawk Down(2001)

    Novel

    Midcredits score: 96th percentile of all films
  • Dead Room (not in the MovieCove catalog yet)(2001)

    Director

  • Killing Pablo (not in the MovieCove catalog yet)(2001)

    Writer

  • The Killing Zone (not in the MovieCove catalog yet)(1999)

    as Lance Nash

  • Money for Nothing(1993)

    Author

    Midcredits score: 25th percentile of all films
  • The Fisher King(1991)

    as Doorman

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 6 titles from 1991 to 2001.

Film career

By role

only this rolewith another role
Acting2 of 6: 2 only acting, 0 with another roleDirecting1 of 6: 1 only directing, 0 with another roleWriting3 of 6: 3 only writing, 0 with another role

By decade

1990s3 · 2 acting · 1 crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mark Bowden's films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 3

Approval · how many liked their films

87thpercentile
Typical film, the median of 3

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.