- Editor and producer
- 11 on MovieCove · 14 credits in all
What are Randall M. Boyd's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Ideas and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Moods and endings
- Ambiguous6
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Randall M. Boyd's films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Randall M. Boyd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 11 with a MovieCove page.
Into the Abyss(2011)
Midcredits score: 90th percentile of all films
Monsters Resurrected(2009)
Midcredits score: 4th percentile of all shows
Dreams with Sharp Teeth(2008)
Midcredits score: 93rd percentile of all films
UFOs Over Earth(2008)
Midcredits score: 18th percentile of all shows (provisional, few ratings)
Midcredits score: 97th percentile of all films
Prehistoric Predators(2007)
Midcredits score: 57th percentile of all shows
Grizzly Man(2005)
Midcredits score: 97th percentile of all films
Big Bucks: The Press Your Luck Scandal (not in the MovieCove catalog yet)(2003)
Return to Area 51(2002)
Midcredits score: 57th percentile of all films (provisional, few ratings)
UFO Over Illinois (not in the MovieCove catalog yet)(2000)
Nazi America: A Secret History (not in the MovieCove catalog yet)(2000)
Motorama(1991)
Midcredits score: 61st percentile of all films
Midcredits score: 3rd percentile of all films
Whore(1991)
Midcredits score: 30th percentile of all films
Career shape
A full career of 8 titles from 1991 to 2008.
Biggest box office
Encounters at the End of the World (2007)
Highest rated
Encounters at the End of the World (2007)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Randall M. Boyd's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 90th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
- Below 25th3
Shape of the crowd
6 of their 11 titles are Mixed.
- Universally Loved3
- Universally Panned1
- Crowd Pleaser1
- Mixed6
Reviewers score the pacing 48/100 in their films, across 3 reviewed titles; fans 55, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Randall M. Boyd work with?
People who share at least 2 of Randall M. Boyd's MovieCove titles, grouped by what they did on them; Erik Nelson shares the most, 7.
Directors
- Geoffrey SharpShared titles: Monsters Resurrected (2009), UFOs Over Earth (2008), Prehistoric Predators (2007)See all 3 shared titles with Geoffrey Sharp
- Werner HerzogShared titles: Into the Abyss (2011), Encounters at the End of the World (2007)See all 2 shared titles with Werner Herzog
- Robert M. WiseShared titles: UFOs Over Earth (2008), Prehistoric Predators (2007)See all 2 shared titles with Robert M. Wise
Composers, cinematographers and editors
- Mark LeggettShared titles: Monsters Resurrected (2009), Prehistoric Predators (2007), Return to Area 51 (2002)See all 3 shared titles with Mark Leggett
- Wes DormanShared titles: Monsters Resurrected (2009), Dreams with Sharp Teeth (2008), Return to Area 51 (2002)See all 3 shared titles with Wes Dorman
- Joe BiniShared titles: Into the Abyss (2011), Encounters at the End of the World (2007)See all 2 shared titles with Joe Bini
- Peter ZeitlingerShared titles: Into the Abyss (2011), Encounters at the End of the World (2007)See all 2 shared titles with Peter Zeitlinger
Producers
- Erik NelsonShared titles: Into the Abyss (2011), Monsters Resurrected (2009), Dreams with Sharp Teeth (2008), UFOs Over Earth (2008), Encounters at the End of the World (2007), Prehistoric Predators (2007), Return to Area 51 (2002)See all 7 shared titles with Erik Nelson
- Dave HardingShared titles: Into the Abyss (2011), Monsters Resurrected (2009), UFOs Over Earth (2008), Encounters at the End of the World (2007), Prehistoric Predators (2007), Return to Area 51 (2002)See all 6 shared titles with Dave Harding
- Phil FaircloughShared titles: Monsters Resurrected (2009), UFOs Over Earth (2008), Encounters at the End of the World (2007), Prehistoric Predators (2007)See all 4 shared titles with Phil Fairclough
- Sara KozakShared titles: Into the Abyss (2011), Monsters Resurrected (2009), UFOs Over Earth (2008)See all 3 shared titles with Sara Kozak
