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MovieCove

Keith Brachmann

Editor

Works as
Editor
Titles
12 on MovieCove
TMDB popularity, last 156 days to Oct 27Up 5% in 30 days

What are Keith Brachmann's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 5 · Serious 0 · Dark 0

Grounded 2 · Stylized 3 · Heightened 0

A split, not a type: Gentle 3 · Charged 2 · Intense 0

Steady 1 · Shifting 3 · Whiplash 1

Straight-faced 0 · Some laughs 1 · Funny 4

Slow burn 0 · Even-paced 5 · Relentless 0

Casual 5 · Engaged 0 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
3
Joyful
3
Thrilling
3
Warm
2
Hopeful
1
Other
3

How their films end · 2 with a twist

  • Happy3
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Keith Brachmann's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Keith Brachmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • Downhill(2020)

    Additional Editor

    Midcredits score: 8th percentile of all films
  • Time Freak(2018)

    Editor

    Midcredits score: 37th percentile of all films
  • Midcredits score: 23rd percentile of all films
  • Masterminds(2016)

    Editor

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 31st percentile of all films
  • 22 Jump Street(2014)

    Editor

    Midcredits score: 81st percentile of all films
  • You Again(2010)

    Editor

    Midcredits score: 36th percentile of all films
  • Lakeview Terrace(2008)

    Additional Editor

    Midcredits score: 42nd percentile of all films
  • Kingdom of Heaven(2005)

    Associate Editor

    Midcredits score: 89th percentile of all films
  • Tiptoes(2002)

    Assistant Editor

    Midcredits score: 4th percentile of all films
  • The New Guy(2002)

    First Assistant Editor

    Midcredits score: 36th percentile of all films
  • The Sweetest Thing(2002)

    First Assistant Editor

    Midcredits score: 26th percentile of all films

Career shape

A full career of 11 titles from 2002 to 2020.

By role

only this rolewith another role
Editing7 of 11: 7 only editing, 0 with another role · typical Midcredits score36thOther crew4 of 11: 4 only other crew, 0 with another role

By decade

2000s5 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Keith Brachmann's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 12; across their 5 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 5

Approval · how many liked their films

33rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

97thpercentile
Typical film, the median of 5

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 25th to 49th7
  • Below 25th3

Shape of the crowd

5 of their 12 titles are Broadly Agreed.

  • Crowd Pleaser2
  • Broadly Agreed5
  • Mixed5

Reviewers score the pacing 54/100 in their films, across 5 reviewed titles; fans 64, detractors 36. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Keith Brachmann's work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles13–52 · median 30 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity5 titles14–46 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles29–69 · median 35 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles11–57 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 31 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Keith Brachmann work with?

People who share at least 2 of Keith Brachmann's MovieCove titles, grouped by what they did on them; David Rennie shares the most, 4.

Cinematographers and editors

Producers

Mixed roles