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John Brady

Producer

John Brady has a wealth of experience as a producer, line producer and executive producer on film and television drama productions over 20. He started his career with legendary Hollywood producer Roger Corman whom he work with for on over 20 productions for nearly five years. Recently John was co-producer on WILD MOUNTAIN THYME and line producer on Irish Canadian DEATH OF A LADIES MAN. John has worked on a range of international co-productions including FOUR KIDS AND IT, WISTING, NEVER GROW OLD, and MUSE. Local productions include A DATE FOR MAD MARY, STAY and LET US PREY. John also produced the IFTA award winning AIFRIC and FIR BOLG for TG4. John is a graduate from the DIT School of Communications and holds a degree in Law from NUIG and has just completed a M.Sc in Business with IMI/UCC.

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Biography from IMDb.

Works as
Producer
Titles
15 on MovieCove · 21 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 38% in 30 days

What are John Brady's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy3 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 36th percentile, at or above their average across these genres
: browse their Drama movies
Horror3 titlesTypical Midcredits score: 9th percentile
: browse their Horror movies
Fantasy2 titlesTypical Midcredits score: 27th percentile
: browse their Fantasy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
35%
Morality
25%
Survival
21%
Self
14%
Ideas
5%
Family bonds7 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeSacrifice2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 3 · Dark 8

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 5 · Intense 7

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 4 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 4 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 7 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 6 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
8
Melancholic
5
Warm
2
Hopeful
3
Other
7

How their films linger

Unsettling8 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy1
  • Bittersweet6
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Brady's films?

As of October 24, 2026, 13 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Also on these channels

Subscription and free streaming for John Brady's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 15 with a MovieCove page.

  • Báite (not in the MovieCove catalog yet)(2025)

    Producer

  • Wild Mountain Thyme(2020)

    Co-Producer · Line Producer

    Midcredits score: 32nd percentile of all films

  • Death of a Ladies' Man(2020)

    Producer

    Midcredits score: 37th percentile of all films

  • Never Grow Old(2019)

    Producer

    Midcredits score: 46th percentile of all films

  • Dark Justice(2018)

    Producer

    Midcredits score: 10th percentile of all films

  • Muse(2017)

    Line Producer

    Midcredits score: 24th percentile of all films

  • Nails(2017)

    Line Producer

    Midcredits score: 9th percentile of all films

  • A Date for Mad Mary(2016)

    Line Producer

    Midcredits score: 81st percentile of all films

  • The Hallow(2015)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Cherry Tree(2015)

    Producer

    Midcredits score: 8th percentile of all films

  • Dominion Creek(2015)

    Show Producer

    Midcredits score: 18th percentile of all shows

  • Let Us Prey(2014)

    Producer

    Midcredits score: 36th percentile of all films

  • Stay(2013)

    Producer

    Midcredits score: 30th percentile of all films

  • Moving Target (not in the MovieCove catalog yet)(2000)

    Co-Producer

  • The Suicide Club (not in the MovieCove catalog yet)(2000)

    Producer

  • The White Pony (not in the MovieCove catalog yet)(1999)

    Second Unit Director

  • Knocking on Death's Door (not in the MovieCove catalog yet)(1999)

    Co-Producer

  • The Haunting of Hell House(1999)

    Producer

    Midcredits score: 9th percentile of all films

  • A Very Unlucky Leprechaun(1998)

    Line Producer

    Midcredits score: 1st percentile of all films

  • Spacejacked (not in the MovieCove catalog yet)(1997)

    Line Producer

  • My Brother's War(1997)

    Producer

    Midcredits score: 12th percentile of all films

Career shape

A full career of 12 titles from 1997 to 2025.

Biggest box office

The Hallow (2015)

$1.9M worldwide

Highest rated

A Date for Mad Mary (2016)

Midcredits 81st

Most popular right now

Let Us Prey (2014)

By role

only this rolewith another role
Producing11 of 12: 11 only producing, 0 with another role · typical Midcredits score27thOther crew1 of 12: 1 only other crew, 0 with another role

By decade

1990s4 · crew2000s2 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Brady's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 14

Approval · how many liked their films

23rdpercentile
Typical film, the median of 14

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 75th and up1
  • 25th to 49th6
  • Below 25th8

Shape of the crowd

11 of their 15 titles are Mixed.

  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed11

Most divisive · producer

A Very Unlucky Leprechaun (1998)

81st percentile spread · 80% rated it 4 or lower

Most loved · producer

A Date for Mad Mary (2016)

Midcredits 81st · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Brady's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 77 · intenseMedian of all films: 44
Sex & Nudity6 titles15–64 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 59 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 47 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 62 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Brady work with?

People who share at least 2 of John Brady's MovieCove titles, grouped by what they did on them; Brendan McCarthy shares the most, 5.

Actors

Composers, cinematographers and editors

Producers