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George G. Braunstein

Producer

Works as
Producer
Titles
8 on MovieCove · 11 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 44% in 30 days

What are George G. Braunstein's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
37%
Bonds
22%
Self
17%
Survival
8%
Society
7%
Power
7%
Justice3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 3 · Wry 2 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 5 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 3 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 7 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
5
Tense
4
Thrilling
1
Romantic
2
Dread
1
Other
6

How their films linger

Fun5 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet1
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George G. Braunstein's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for George G. Braunstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 8 with a MovieCove page.

  • Expecting Mary (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Meeting Spencer (not in the MovieCove catalog yet)(2010)

    Producer

  • Red Riding Hood(2006)

    Legal Services

    Midcredits score: 13th percentile of all films

  • Uncle Sam(1996)

    Producer

    Midcredits score: 9th percentile of all films

  • Red Scorpion 2(1994)

    Co-Producer

    Midcredits score: 2nd percentile of all films

  • The Boyfriend School(1990)

    Producer

    Midcredits score: 36th percentile of all films

  • Out Cold(1989)

    Producer

    Midcredits score: 25th percentile of all films

  • And God Created Woman(1988)

    Producer

    Midcredits score: 9th percentile of all films

  • Surf II(1983)

    Producer

    Midcredits score: 24th percentile of all films

  • Fade to Black(1980)

    Producer

    Midcredits score: 45th percentile of all films

  • Train Ride to Hollywood (not in the MovieCove catalog yet)(1975)

    Executive Producer

Career shape

A full career of 11 titles from 1975 to 2010.

Biggest box office

The Boyfriend School (1990)

$1.2M worldwide

Highest rated

Fade to Black (1980)

Midcredits 45th

Most popular right now

Surf II (1983)

By role

only this rolewith another role
Producing10 of 11: 10 only producing, 0 with another role · typical Midcredits score24thOther crew1 of 11: 1 only other crew, 0 with another role

By decade

1970s1 · crew1980s4 · crew1990s3 · crew2000s1 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George G. Braunstein's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 7

Approval · how many liked their films

15thpercentile
Typical film, the median of 7

Reach · how many have seen their films

75thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 25th to 49th3
  • Below 25th5

Shape of the crowd

6 of their 8 titles are Mixed.

  • Divisive1
  • Broadly Agreed1
  • Mixed6

Most divisive · producer

Surf II (1983)

86th percentile spread · 43% rated it 4 or lower

Most loved · producer

Fade to Black (1980)

Midcredits 45th · 42% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is George G. Braunstein's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 49 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does George G. Braunstein work with?

People who share at least 2 of George G. Braunstein's MovieCove titles, grouped by what they did on them; Ron Hamady shares the most, 5.

Directors

Actors

Cinematographers

Producers