- Producer and writer
- 4 on MovieCove · 5 credits in all
What are Philip M. Breen's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 2
Grounded 1 · Stylized 2 · Heightened 1
Gentle 0 · Charged 4 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Philip M. Breen's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Philip M. Breen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 4 with a MovieCove page.
Sword of the Valiant(1984)
Midcredits score: 7th percentile of all films
The Natural(1984)
Midcredits score: 89th percentile of all films
Midcredits score: 31st percentile of all films
Massacre in Rome(1973)
Midcredits score: 62nd percentile of all films
The Best House in London (not in the MovieCove catalog yet)(1969)
Career shape
A full career of 4 titles from 1969 to 1984.
How do Philip M. Breen's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 45/100 and the plot and story 51/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Philip M. Breen work with?
People who share at least 2 of Philip M. Breen's MovieCove titles, grouped by what they did on them; Stephen Weeks shares the most, 2.
Directors
- Stephen WeeksShared titles: Sword of the Valiant (1984), Gawain and the Green Knight (1973)See all 2 shared titles with Stephen Weeks
Writers
- The Gawain PoetShared titles: Sword of the Valiant (1984), Gawain and the Green Knight (1973)See all 2 shared titles with The Gawain Poet
Actors
- Ronald LaceyShared titles: Sword of the Valiant (1984), Gawain and the Green Knight (1973)See all 2 shared titles with Ronald Lacey
Producers
- Carlo PontiShared titles: Gawain and the Green Knight (1973), Massacre in Rome (1973)See all 2 shared titles with Carlo Ponti
