Skip to content
MovieCove

Dennis Dreith

Composer · Born June 15, 1948 (78) · Burbank, California, USA

Dennis Dreith, an accomplished film composer, arranger, and conductor is also known in the motion picture industry as one of the hardest working advocates for musician's rights. Born in Burbank, California, Dreith showed a remarkable talent for music at an early age. He learned to play a variety of keyboard and reed instruments and while still in his teens. He formed a jazz combo in the late 1960s, and was so good, the late music promoter Ray Bowman scheduled them for a number of Monday night concerts at the legendary Ice House in Pasadena. Dreith grew to work as a musician in the film music industry and eventually worked with the International President of the Recording Musicians' Association (RMA), becoming its president... a post he held for over 15 years. Dennis was also a member and consultant for the American Federation of Musicians (AFM) Negotiating Sub-committee for every major electronic media agreement negotiated by them. During that time, he was also AFM liaison to both the Theatrical and Television Motion Picture Special Payments Fund (MPSPF), and the Phonograph Record Manufacturers' Special Payments Fund, even addressing the House Sub-committee on Intellectual Properties in support of Digital Performers Rights legislation in Washington D.C. that was signed into law by President Clinton in November of 1995. In 1996, he traveled to Japan where he negotiated and executed a "Friendship Agreement" between the Musicians Rights Commission of Japan and the RMA, which in turn has resulted in the substantial distribution of Japanese royalties to U.S. recording musicians. Dreith is currently the Chief Executive Officer of the Film Musicians Secondary Markets Fund as well as the Independent Administrator of the AFM & AFTRA Intellectual Property Rights Distribution Fund, overseeing the Japanese Record Rental Royalty Fund, the AHRA Fund (Audio Home Recording Act), and Digital Performance Royalties on behalf of the American Federation of Musicians (AFM) and the American Federation of Television and Radio Artists (AFTRA). For several years, Dreith has headed his own publishing company "Magic Closet Music" and is a partner in "Maverick Music", a production company scoring for both films and commercials. In addition to his career as an active film, television and advertising jingle composer, he has orchestrated and/or conducted scores for such motion pictures as "Misery", "Addams Family", "Heart and Souls", "A League of Their Own" and many others, providing services to composers John Williams, Lalo Schifrin, Dominick Frontiere, Marc Shaiman, Hans Zimmer, Eliott Goldenthal, Mark Isham and Cliff Eidelman. He was Music Supervisor on several major motion pictures as well as Music Consultant for the legendary Barbra Streisand "New Year's Las Vegas Concert". Dennis Dreith is a frequent and distinguished panelist for music industry seminars and has often been a guest lecturer at a number of universities. He has been a speaker at a variety of music education and related conferences in the United States and recently at the Cannes during the famed film festival there. He is a former member of the faculty at UCLA Extension as well as a past member of the UCLA Advisory Board to the Department of Entertainment Studies and Performing Arts. He lives in Studio City with his wife Leslieanne and daughter Marcella. He enjoys sailing, flying and travel. He is a recognized authority on the history of film music and has composed several classical pieces for orchestra and soloists.

Read more

Biography from IMDb.

Born
June 15, 1948 (78)
From
Burbank, California, USA
Works as
Composer
Titles
11 on MovieCove · 13 credits in all
TMDB popularity, last 156 days to Oct 27Down 3% in 30 days

What are Dennis Dreith's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 1 · Dark 2

Grounded 9 · Stylized 1 · Heightened 0

A split, not a type: Gentle 3 · Charged 3 · Intense 4

A split, not a type: Steady 5 · Shifting 3 · Whiplash 2

Straight-faced 3 · Some laughs 4 · Funny 3

Slow burn 4 · Even-paced 6 · Relentless 0

Casual 8 · Engaged 2 · Full focus 0

Resolved 8 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Joyful
4
Dread
3
Warm
4
Absurd
3
Other
9

How their films end · 1 with a twist

  • Happy5
  • Bittersweet2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dennis Dreith's films?

As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Dennis Dreith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 11 with a MovieCove page.

  • The War Between(2025)

    Composer

    Midcredits score: 27th percentile of all films
  • Creep Van(2012)

    Composer

    Midcredits score: 4th percentile of all films
  • Gag(2006)

    Composer

    Midcredits score: 1st percentile of all films
  • Mobsters(1991)

    Music Supervisor

    Midcredits score: 40th percentile of all films
  • The Punisher(1989)

    Composer

    Midcredits score: 30th percentile of all films
  • Let's Get Mom (not in the MovieCove catalog yet)(1989)

    Composer

  • Purple People Eater(1988)

    Composer

    Midcredits score: 21st percentile of all films
  • Goddess of Love(1988)

    Composer

    Midcredits score: 1st percentile of all films
  • Daniel and the Towers(1987)

    Composer

    Midcredits score: 58th percentile of all films (provisional, few ratings)
  • Party Camp(1987)

    Composer

    Midcredits score: 7th percentile of all films
  • John Grin's Christmas(1986)

    Composer

    Midcredits score: 73rd percentile of all films (provisional, few ratings)
  • This Wife for Hire (not in the MovieCove catalog yet)(1985)

    Composer

  • Midcredits score: 18th percentile of all films

Career shape

A full career of 11 titles from 1985 to 2025.

By role

only this rolewith another role
Music10 of 11: 10 only music, 0 with another role · typical Midcredits score24thOther crew1 of 11: 1 only other crew, 0 with another role

By decade

1980s7 · crew1990s1 · crew2000s1 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dennis Dreith's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 21st percentile for acclaim.

Acclaim · how much people like their films

21stpercentile
Typical film, the median of 10

Approval · how many liked their films

22ndpercentile
Typical film, the median of 10

Reach · how many have seen their films

39thpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3
  • Below 25th6

Reviewers score the sound and music 52/100 in their films, across 7 reviewed titles; fans 66, detractors 25. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dennis Dreith work with?

People who share at least 2 of Dennis Dreith's MovieCove titles, grouped by what they did on them; Phil Margo shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers