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Lucille Bremer

Lucille Bremer

Actor · Died April 16, 1996, aged 79 · Amsterdam, New York, USA

Lucille Bremer (February 21, 1917 - April 16, 1996) was an American film actress and dancer. Bremer was born in Amsterdam, New York and began her career as a Rockette at Radio City Music Hall in New York City, aged 16. Bremer, along with fellow stars Vera-Ellen and June Allyson, appeared as a Pony Girl in the Broadway musical Panama Hattie in 1940. She made her screen debut in Meet Me in St. Louis, and followed this with Yolanda and the Thief, and a featured dance performance in Ziegfeld Follies. Her last major film was Till the Clouds Roll By. After a few minor films, she played her last starring role in Behind Locked Doors. Reportedly disappointed with her Hollywood career, she elected not to renew her contract and left the film industry.

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Biography from TMDB.

Born
February 21, 1917
Died
April 16, 1996 (aged 79)
From
Amsterdam, New York, USA
Works as
Actor
Titles
5 on MovieCove · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 31% in 30 days

What are Lucille Bremer's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
45%
Morality
20%
Ideas
15%
Society
11%
Self
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 0 · Stylized 2 · Heightened 2

Gentle 4 · Charged 0 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
4
Warm
3
Romantic
1
Melancholic
2
Elegiac
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lucille Bremer's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Lucille Bremer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 5 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • That's Entertainment! III(1994)

    as (archive footage) (uncredited)

    Midcredits score: 90th percentile of all films
  • Behind Locked Doors (not in the MovieCove catalog yet)(1948)

    as Kathy Lawrence

  • Ruthless (not in the MovieCove catalog yet)(1948)

    as Christa Mansfield

  • Adventures of Casanova (not in the MovieCove catalog yet)(1948)

    as Lady Bianca

  • Dark Delusion (not in the MovieCove catalog yet)(1947)

    as Cynthia Grace

  • Till the Clouds Roll By(1946)

    as Sally Hessler

    Midcredits score: 53rd percentile of all films
  • Yolanda and the Thief(1945)

    as Yolanda

    Midcredits score: 41st percentile of all films
  • Ziegfeld Follies(1945)

    as Princess ("This Heart of Mine") / Moy Ling ("Limehouse Blues")

    Midcredits score: 57th percentile of all films
  • Meet Me in St. Louis(1944)

    as Rose Smith

    Midcredits score: 92nd percentile of all films
  • Twenty Years After (not in the MovieCove catalog yet)(1944)

    as (archive footage)

  • Penny Arcade (not in the MovieCove catalog yet)(1942)

    as Woman

  • This Love of Mine (not in the MovieCove catalog yet)(1942)

    as Dancer (uncredited)

Career shape

Star power in the 87th percentile of 239,109 people with a billed film role, over a full career of 12 titles from 1942 to 1994.

Film career

  • 1944Screen debut· Meet Me in St. Louis
  • 1948First top-billed film· Behind Locked Doors

By role

only this rolewith another role
Acting12 of 12: 12 only acting, 0 with another role · typical Midcredits score57th

By decade

1940s11 · acting1990s1 · acting

Billing

usually 4th · top billed in 17% of 6 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Lucille Bremer's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 4

Approval · how many liked their films

56thpercentile
Typical film, the median of 4

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Mixed1

Reviewers score the acting 68/100 in their films, across 4 reviewed titles; fans 75, detractors 43. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lucille Bremer work with?

People who share at least 2 of Lucille Bremer's MovieCove titles, grouped by what they did on them; Arthur Freed shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers