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Robert S. Bremson

Producer

Works as
Producer
Titles
6 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 34% in 30 days

What are Robert S. Bremson's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
27%
Bonds
18%
Power
17%
Self
15%
Ideas
14%
Survival
5%
Society
4%
Freedom2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
3
Absurd
2
Romantic
3
Melancholic
2
Other
4

How their films linger

Fun3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert S. Bremson's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Robert S. Bremson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a MovieCove page.

  • The Sword and the Sorcerer(1982)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Alligator(1980)

    Executive Producer

    Midcredits score: 47th percentile of all films

  • Over the Edge(1979)

    Associate Producer

    Midcredits score: 90th percentile of all films

  • She Came To The Valley (not in the MovieCove catalog yet)(1979)

    Executive Producer

  • Five Days from Home (not in the MovieCove catalog yet)(1978)

    Executive Producer

  • Just Tell Me You Love Me(1978)

    Producer

    Midcredits score: 25th percentile of all films (provisional, few ratings)

  • Obsession(1976)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • Drive-In (not in the MovieCove catalog yet)(1976)

    Associate Producer

  • Godmonster of Indian Flats(1973)

    Executive Producer

    Midcredits score: 4th percentile of all films

Career shape

A full career of 8 titles from 1973 to 1982.

Biggest box office

The Sword and the Sorcerer (1982)

$39M worldwide

Highest rated

Over the Edge (1979)

Midcredits 90th

Most popular right now

Alligator (1980)

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score47th

By decade

1970s6 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Robert S. Bremson's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 6

Approval · how many liked their films

39thpercentile
Typical film, the median of 6

Reach · how many have seen their films

85thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

2 of their 6 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed2

Most divisive · producer

Just Tell Me You Love Me (1978)

85th percentile spread · 33% rated it 4 or lower

Most loved · producer

Over the Edge (1979)

Midcredits 90th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert S. Bremson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 30 · mildMedian of all films: 32
Frightening / Intense3 titlesmedian 60 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Robert S. Bremson work with?

People who share at least 2 of Robert S. Bremson's MovieCove titles, grouped by what they did on them; Joseph Mangine shares the most, 2.

Cinematographers

Producers