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Amy Briamonte

Producer and writer

Works as
Producer and writer
Titles
17 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 15% in 30 days

What are Amy Briamonte's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Society and Survival.

Themes

share of theme weight
Society
28%
Survival
26%
Ideas
21%
Morality
11%
Self
10%
Bonds
3%
Power
1%
Legacy4 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeMortality3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeNature3 titles, browse their movies with this themeMemory3 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 1 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 0 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 7 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 1 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 10 · Even-paced 0 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
8
Melancholic
9
Tense
5
Warm
3
Joyful
3
Other
7

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet5
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amy Briamonte's films?

As of October 24, 2026, 9 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Amy Briamonte's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 17 with a MovieCove page.

  • Daytime Revolution(2024)

    Producer

    Midcredits score: 73rd percentile of all films

  • Break the Game (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • The Torch(2019)

    Producer

    Midcredits score: 79th percentile of all films (provisional, few ratings)

  • The Anarchists(2022)

    Show Producer

    Midcredits score: 14th percentile of all shows

  • The Lost Boys of Bucks County(2020)

    Writer

    Midcredits score: 79th percentile of all films

  • A Gray State(2017)

    Producer

    Midcredits score: 54th percentile of all films

  • Confessions of the Boston Strangler (not in the MovieCove catalog yet)(2014)

    Writer

  • Your Worst Nightmare(2014)

    Show 1 episode · Writer

    Midcredits score: 60th percentile of all shows

  • 9/10: The Final Hours (not in the MovieCove catalog yet)(2014)

    Producer

  • Sharkzilla (not in the MovieCove catalog yet)(2012)

    Producer

  • On Death Row(2012)

    Show 8 episodes · Producer

    Midcredits score: 84th percentile of all shows

  • Dinotasia(2012)

    Producer

    Midcredits score: 37th percentile of all films

  • Into the Abyss(2011)

    Producer

    Midcredits score: 90th percentile of all films

  • Cave of Forgotten Dreams(2010)

    Producer

    Midcredits score: 91st percentile of all films

  • Into the Pride(2009)

    Show Writer

    Midcredits score: 83rd percentile of all shows

  • Dreams with Sharp Teeth(2008)

    Producer

    Midcredits score: 93rd percentile of all films

  • Kim Cattrall: Sexual Intelligence(2005)

    Writer

    Midcredits score: 12th percentile of all films

  • Christianity: The Second Millennium (not in the MovieCove catalog yet)(2000)

    Show 2 episodes · Executive Producer

  • Face to Face: The Schappell Twins (not in the MovieCove catalog yet)(1999)

    Producer

  • Hitman Hart: Wrestling with Shadows(1998)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Beyond Titanic(1998)

    Producer

    Midcredits score: 79th percentile of all films

  • Hollywoodism: Jews, Movies and the American Dream(1998)

    Producer

    Midcredits score: 80th percentile of all films

  • The Great Irish Famine (not in the MovieCove catalog yet)(1996)

    Producer

  • Radio Days(1987)

    Apprentice Sound Editor

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 16 titles from 1987 to 2024.

Biggest box office

Cave of Forgotten Dreams (2010)

$8.3M worldwide

Highest rated

Hitman Hart: Wrestling with Shadows (1998)

Midcredits 97th

Most popular right now

Cave of Forgotten Dreams (2010)

By role

only this rolewith another role
Writing4 of 16: 4 only writing, 0 with another roleProducing11 of 16: 11 only producing, 0 with another role · typical Midcredits score79thOther crew1 of 16: 1 only other crew, 0 with another role

By decade

1980s1 · crew1990s3 · crew2000s2 · crew2010s6 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Amy Briamonte's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 11

Approval · how many liked their films

77thpercentile
Typical film, the median of 11

Reach · how many have seen their films

40thpercentile
Typical film, the median of 11

Midcredits score across 17 titles, by percentile

  • 75th and up11
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

7 of their 17 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser7
  • Mixed7

Most divisive · producer

Beyond Titanic (1998)

81st percentile spread · 19% rated it 4 or lower

Most loved · producer

Hitman Hart: Wrestling with Shadows (1998)

Midcredits 97th · 88% liked

Reviewers score the dialogue 63/100 and the plot and story 54/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amy Briamonte work with?

People who share at least 2 of Amy Briamonte's MovieCove titles, grouped by what they did on them; Erik Nelson shares the most, 6.

Directors

Composers, cinematographers and editors

Producers