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George Bricker

Writer, also producer · Died January 22, 1955, aged 56 · St. Mary's, Ohio, USA

Born
July 18, 1898
Died
January 22, 1955 (aged 56)
From
St. Mary's, Ohio, USA
Works as
Writer, also producer
Titles
24 on MovieCove · 73 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 30% in 30 days

What are George Bricker's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Crime9 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Crime movies
Action6 titlesTypical Midcredits score: 36th percentile
: browse their Action movies
Adventure3 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Adventure movies
Comedy2 titlesTypical Midcredits score: 33rd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
43%
Self
18%
Survival
13%
Bonds
13%
Power
10%
Society
3%
Justice9 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeRevenge3 titles, browse their movies with this theme

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 15 · Serious 7 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 15 · Stylized 7 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 18 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 12 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 13 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 18 · Relentless 2

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 12 · Engaged 12 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 21 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Thrilling
7
Warm
5
Melancholic
6
Joyful
3
Other
20

How their films linger

Fun11 titles, browse their movies with this aftertasteFeel-good10 titles, browse their movies with this aftertasteRousing5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy16
  • Bittersweet4
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George Bricker's films?

As of October 24, 2026, 8 of their 24 MovieCove titles stream on a subscription or free service, most on MGM+ (5).

Also on these channels

Subscription and free streaming for George Bricker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

73 credits, 24 with a MovieCove page.

  • Cry Vengeance (not in the MovieCove catalog yet)(1954)

    Writer

  • Loophole(1954)

    Writer

    Midcredits score: 69th percentile of all films

  • Mexican Manhunt (not in the MovieCove catalog yet)(1953)

    Screenplay

  • Man in the Dark(1953)

    Writer

    Midcredits score: 44th percentile of all films

  • Tangier Incident (not in the MovieCove catalog yet)(1953)

    Writer

  • Arctic Flight (not in the MovieCove catalog yet)(1952)

    Screenplay

  • Macao(1952)

    Writer

    Midcredits score: 63rd percentile of all films

  • One Big Affair (not in the MovieCove catalog yet)(1952)

    Story

  • The Whip Hand (not in the MovieCove catalog yet)(1951)

    Screenplay

  • Roadblock(1951)

    Screenplay

    Midcredits score: 62nd percentile of all films

  • Al Jennings of Oklahoma(1951)

    Screenplay

    Midcredits score: 42nd percentile of all films

  • The Tougher They Come (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Beauty on Parade (not in the MovieCove catalog yet)(1950)

    Screenplay

  • Mary Ryan, Detective(1949)

    Screenplay

    Midcredits score: 51st percentile of all films

  • Alimony (not in the MovieCove catalog yet)(1949)

    Story

  • Heartaches(1947)

    Screenplay

    Midcredits score: 22nd percentile of all films

  • The Corpse Came C.O.D. (not in the MovieCove catalog yet)(1947)

    Screenplay

  • The Big Fix (not in the MovieCove catalog yet)(1947)

    Screenplay

  • Gas House Kids (not in the MovieCove catalog yet)(1946)

    Screenplay

  • The Brute Man (not in the MovieCove catalog yet)(1946)

    Writer

  • If I'm Lucky (not in the MovieCove catalog yet)(1946)

    Writer

  • Inside Job (not in the MovieCove catalog yet)(1946)

    Writer

  • She-Wolf of London(1946)

    Screenplay

    Midcredits score: 14th percentile of all films

  • Johnny Comes Flying Home (not in the MovieCove catalog yet)(1946)

    Screenplay · Story

  • House of Horrors (not in the MovieCove catalog yet)(1946)

    Screenplay

  • Blonde Alibi(1946)

    Associate Producer · Screenplay

    Midcredits score: 34th percentile of all films (provisional, few ratings)

  • Meet Me on Broadway (not in the MovieCove catalog yet)(1946)

    Screenplay · Story

  • Pillow of Death (not in the MovieCove catalog yet)(1945)

    Screenplay

  • House of Dracula(1945)

    Writer

    Midcredits score: 27th percentile of all films

  • The Mark of the Whistler(1944)

    Writer

    Midcredits score: 64th percentile of all films

  • The Dancing Masters (not in the MovieCove catalog yet)(1943)

    Story

  • A Man's World(1942)

    Story

    Midcredits score: 26th percentile of all films (provisional, few ratings)

  • Little Tokyo, U.S.A. (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Lure of the Islands (not in the MovieCove catalog yet)(1942)

    Screenplay

  • She's in the Army (not in the MovieCove catalog yet)(1942)

    Screenplay

  • So's Your Aunt Emma!(1942)

    Screenplay

    Midcredits score: 37th percentile of all films

  • Frisco Lil (not in the MovieCove catalog yet)(1942)

    Writer

  • Law of the Jungle(1942)

    Screenplay

    Midcredits score: 11th percentile of all films

  • North to the Klondike (not in the MovieCove catalog yet)(1942)

    Writer

  • The Blonde from Singapore (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Murder by Invitation (not in the MovieCove catalog yet)(1941)

    Screenplay

  • The Devil Bat(1940)

    Original Story

    Midcredits score: 21st percentile of all films

  • Marked Men (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Hold That Woman!(1940)

    Screenplay

    Midcredits score: 33rd percentile of all films

  • A Fugitive from Justice (not in the MovieCove catalog yet)(1940)

    Additional Writing

  • I Take This Oath(1940)

    Screenplay

    Midcredits score: 11th percentile of all films

  • Buried Alive (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Missing Daughters (not in the MovieCove catalog yet)(1939)

    Screenplay

  • They Made Her a Spy(1939)

    Story

    Midcredits score: 31st percentile of all films

  • Mr. Moto in Danger Island(1939)

    Story

    Midcredits score: 68th percentile of all films

  • Torchy Blane in Chinatown (not in the MovieCove catalog yet)(1939)

    Screenplay

  • King of the Underworld(1939)

    Screenplay

    Midcredits score: 55th percentile of all films

  • Women in the Wind(1939)

    Writer

    Midcredits score: 44th percentile of all films

  • Mr. Chump (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Little Miss Thoroughbred (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Torchy Blane in Panama(1938)

    Screenplay

    Midcredits score: 33rd percentile of all films

  • Accidents Will Happen (not in the MovieCove catalog yet)(1938)

    Screenplay · Story

  • Over the Wall (not in the MovieCove catalog yet)(1938)

    Screenplay

  • The Kid Comes Back (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Sh! The Octopus (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Love Is on the Air(1937)

    Screenplay

    Midcredits score: 20th percentile of all films

  • The Littlest Diplomat (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Talent Scout (not in the MovieCove catalog yet)(1937)

    Writer

  • Melody for Two (not in the MovieCove catalog yet)(1937)

    Writer

  • King of Hockey (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Fugitive in the Sky(1936)

    Screenplay

    Midcredits score: 45th percentile of all films

  • The Big Noise (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Romance in the Air (not in the MovieCove catalog yet)(1936)

    Screenplay · Story

  • The Law in Her Hands (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Freshman Love (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The Widow from Monte Carlo (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Broadway Hostess (not in the MovieCove catalog yet)(1935)

    Screenplay

  • The Payoff (not in the MovieCove catalog yet)(1935)

    Screenplay

Career shape

A full career of 70 titles from 1935 to 1954.

Biggest box office

Macao (1952)

$3.5K worldwide

Highest rated

Mr. Moto in Danger Island (1939)

Midcredits 68th

Most popular right now

She-Wolf of London (1946)

By role

only this rolewith another role
Writing69 of 70: 68 only writing, 1 with another role · typical Midcredits score34thProducing1 of 70: 0 only producing, 1 with another roleOther crew1 of 70: 1 only other crew, 0 with another role

By decade

1930s26 · crew1940s32 · crew1950s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George Bricker's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 24; across their 24 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 24

Approval · how many liked their films

30thpercentile
Typical film, the median of 24

Reach · how many have seen their films

26thpercentile
Typical film, the median of 24

Midcredits score across 24 titles, by percentile

  • 50th to 74th7
  • 25th to 49th11
  • Below 25th6

Shape of the crowd

10 of their 24 titles are Broadly Agreed.

  • Crowd Pleaser7
  • Broadly Agreed10
  • Mixed7

Most divisive · writer

A Man's World (1942)

84th percentile spread · 30% rated it 4 or lower

Most loved · writer

Loophole (1954)

Midcredits 69th · 61% liked

Reviewers score the dialogue 51/100 and the plot and story 44/100 in their films, across 22 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George Bricker work with?

People who share at least 2 of George Bricker's MovieCove titles, grouped by what they did on them; Jean Yarbrough shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers