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MovieCove

Jack Broder

Producer

Works as
Producer
Titles
5 on MovieCove · 8 credits in all

What are Jack Broder's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
28%
Morality
24%
Society
18%
Self
16%
Bonds
14%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 2 · Dark 0

Grounded 2 · Stylized 3 · Heightened 0

Gentle 2 · Charged 3 · Intense 0

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 1

Slow burn 3 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Absurd
2
Romantic
1
Dread
1
Joyful
1
Other
1

How their films end · 1 with a twist

  • Happy3
  • Bittersweet1
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jack Broder's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Jack Broder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page.

  • The Navy vs. the Night Monsters(1966)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • Women of the Prehistoric Planet(1966)

    Executive Producer

    Midcredits score: 1st percentile of all films
  • Hannah Lee: An American Primitive (not in the MovieCove catalog yet)(1953)

    Presenter · Producer

  • Battles of Chief Pontiac (not in the MovieCove catalog yet)(1952)

    Producer

  • Bela Lugosi Meets a Brooklyn Gorilla(1952)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • The Bushwhackers(1951)

    Executive Producer

    Midcredits score: 26th percentile of all films
  • When I Grow Up (not in the MovieCove catalog yet)(1951)

    Associate Producer

  • Bride of the Gorilla(1951)

    Producer

    Midcredits score: 6th percentile of all films

Career shape

A full career of 7 titles from 1951 to 1966.

By role

only this rolewith another role
Producing7 of 7: 6 only producing, 1 with another roleOther crew1 of 7: 0 only other crew, 1 with another role

By decade

1950s5 · crew1960s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jack Broder's films land?

Their typical MovieCove film has a Midcredits score in the 6th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 11th percentile for acclaim.

Acclaim · how much people like their films

11thpercentile
Typical film, the median of 5

Approval · how many liked their films

3rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

51stpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th1
  • Below 25th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jack Broder work with?

People who share at least 2 of Jack Broder's MovieCove titles, grouped by what they did on them; Arthur C. Pierce shares the most, 2.

Directors

Actors

Composers, cinematographers and editors

Producers