Alan Brown
- Producer
- 3 on MovieCove
What are Alan Brown's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 1 · Stylized 1 · Heightened 1
A split, not a type: Gentle 1 · Charged 0 · Intense 2
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alan Brown's films?
As of October 24, 2026, none of Alan Brown's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Alan Brown's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
The Truth About Spring(1965)
Midcredits score: 69th percentile of all films
55 Days at Peking(1963)
Midcredits score: 72nd percentile of all films
King of Kings(1961)
Midcredits score: 81st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1961 to 1965.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Alan Brown's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alan Brown work with?
People who share at least 2 of Alan Brown's MovieCove titles, grouped by what they did on them; Nicholas Ray shares the most, 2.
Directors
- Nicholas RayShared titles: 55 Days at Peking (1963), King of Kings (1961)See all 2 shared titles with Nicholas Ray
Writers
- Philip YordanShared titles: 55 Days at Peking (1963), King of Kings (1961)See all 2 shared titles with Philip Yordan
Actors
- Harry AndrewsShared titles: The Truth About Spring (1965), 55 Days at Peking (1963)See all 2 shared titles with Harry Andrews
Producers
- Samuel BronstonShared titles: 55 Days at Peking (1963), King of Kings (1961)See all 2 shared titles with Samuel Bronston