
Phil Brown
Actor · Died February 9, 2006, aged 89 · Cambridge, Massachusetts, USA
Philip Mortimer Brown was an American actor and director. After majoring in dramatics at Stanford University where he was a Brother of Beta Theta Pi Fraternity, Brown played some of his earliest stage roles as part of New York's Group Theater. When it folded, he and other Group Theatre veterans headed to Hollywood, where Brown worked in motion pictures and helped found the fabled Actors' Laboratory. In 1946, he played Ernest Hemingway's famous protagonist Nick Adams in Robert Siodmak's version of The Killers, alongside William Conrad and Charles McGraw as the titular "killers". His association with the Lab came back to haunt him later in the decade, when its members fell under the scrutiny of the House Un-American Activities Committee. Although he was not a communist, Brown was blacklisted in 1952, and was eventually compelled to relocate with his family to England between 1953 and 1993. Overseas he was able to resume acting on stage, TV and films; he also directed for the stage and TV. He was best known for his role as Luke Skywalker's uncle, Owen Lars, in Star Wars Episode IV: A New Hope (1977). He returned to the United States in the 1990s and in later years made the rounds of autograph shows. Phil Brown died of pneumonia on February 9, 2006 at the age of 89.
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Biography from TMDB.
- April 30, 1916
- February 9, 2006 (aged 89)
- Cambridge, Massachusetts, USA
- Actor
- 29 on Motif · 60 credits in all
What are Phil Brown's films like?
Across their 14 Motif titles with a thematic analysis, their films lean Morality and Self.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 12
A split, not a type: Light 7 · Serious 3 · Dark 4
Grounded 9 · Stylized 5 · Heightened 0
A split, not a type: Gentle 6 · Charged 5 · Intense 3
Steady 11 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 3
Slow burn 5 · Even-paced 9 · Relentless 0
Casual 8 · Engaged 5 · Full focus 1
A split, not a type: Easy watch 8 · Affecting 3 · Heavy 3
Resolved 12 · Open-ended 1 · Ambiguous 1
Roles they play
- Tricksteras Kansas City in Hello, Annapolis (1942)
- Allyas Val Denton in Pierre of the Plains (1942)
Moods and endings
- Happy5
- Bittersweet5
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Phil Brown's films?
As of October 24, 2026, 10 of their 29 Motif titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Phil Brown's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
60 credits, 29 with a Motif page; 1 appearance as themselves is hidden until asked for.

Battlestar Galactica: The Second Coming (not in the Motif catalog yet)(1999)

Chaplin(1992)
Midcredits score: 90th percentile of all films
Bomber Harris (not in the Motif catalog yet)(1989)

The Fortunate Pilgrim (not in the Motif catalog yet)(1988)

American Playhouse (not in the Motif catalog yet)(1982)

Winston Churchill: The Wilderness Years (not in the Motif catalog yet)(1981)

Oppenheimer (not in the Motif catalog yet)(1980)

The Martian Chronicles (not in the Motif catalog yet)(1980)

Tales of the Unexpected(1979)
Midcredits score: 74th percentile of all shows
Superman(1978)
Midcredits score: 91st percentile of all films
Maneaters Are Loose! (not in the Motif catalog yet)(1978)
Rebecca of Sunnybrook Farm (not in the Motif catalog yet)(1978)

The Professionals (not in the Motif catalog yet)(1977)
Midcredits score: 99th percentile of all films
Twilight's Last Gleaming(1977)
Midcredits score: 72nd percentile of all films
Midcredits score: 83rd percentile of all films
Midcredits score: 45th percentile of all films
Scalawag (not in the Motif catalog yet)(1973)

Get Charlie Tully(1972)
Midcredits score: 37th percentile of all films
The Gangster Show: The Resistible Rise of Arturo Ui (not in the Motif catalog yet)(1972)

The Protectors(1972)
Midcredits score: 34th percentile of all showsThe Curse of a Faithful Wife (not in the Motif catalog yet)(1972)

Valdez Is Coming(1971)
Midcredits score: 70th percentile of all films
Togetherness (not in the Motif catalog yet)(1970)

Tropic of Cancer(1970)
Midcredits score: 28th percentile of all films
The Adding Machine (not in the Motif catalog yet)(1969)

Land Raiders(1969)
Midcredits score: 17th percentile of all films
Journey to the Unknown (not in the Motif catalog yet)(1968)

Operation Cross Eagles(1968)
Midcredits score: 6th percentile of all films
Bomb at 10:10 (not in the Motif catalog yet)(1967)

The Bedford Incident(1965)
Midcredits score: 89th percentile of all films
The Counterfeit Traitor(1962)
Midcredits score: 89th percentile of all films
Ghost Squad (not in the Motif catalog yet)(1961)
Theatre '70 (not in the Motif catalog yet)(1960)

Interpol Calling (not in the Motif catalog yet)(1959)

John Paul Jones(1959)
Midcredits score: 59th percentile of all films
Dial 999 (not in the Motif catalog yet)(1958)

The Camp on Blood Island(1958)
Midcredits score: 63rd percentile of all filmsWhite Hunter (not in the Motif catalog yet)(1957)

A King in New York(1957)
Midcredits score: 79th percentile of all films
Theatre Night (not in the Motif catalog yet)(1957)

Colonel March of Scotland Yard (not in the Motif catalog yet)(1956)

The Adventures of the Scarlet Pimpernel (not in the Motif catalog yet)(1955)

Schlitz Playhouse of Stars (not in the Motif catalog yet)(1951)

Obsession (not in the Motif catalog yet)(1949)

Moonrise(1948)
Midcredits score: 80th percentile of all films
The Luck of the Irish(1948)
Midcredits score: 67th percentile of all films
If You Knew Susie(1948)
Midcredits score: 45th percentile of all films
Johnny O'Clock (not in the Motif catalog yet)(1947)

The Killers(1946)
Midcredits score: 96th percentile of all films
State Fair(1945)
Midcredits score: 80th percentile of all films
Over 21(1945)
Midcredits score: 50th percentile of all films
The Jungle Captive (not in the Motif catalog yet)(1945)

The Impatient Years (not in the Motif catalog yet)(1944)

Weird Woman(1944)
Midcredits score: 47th percentile of all films
Calling Dr. Gillespie (not in the Motif catalog yet)(1942)

Pierre of the Plains(1942)
Midcredits score: 8th percentile of all films
Hello, Annapolis(1942)
Midcredits score: 32nd percentile of all films (provisional, few ratings)
H.M. Pulham, Esq.(1941)
Midcredits score: 77th percentile of all films
I Wanted Wings(1941)
Midcredits score: 47th percentile of all films
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 60 titles from 1941 to 1999; peak year 1977.

Biggest box office
A King in New York (1957)

Highest rated
The Bedford Incident (1965)

Most popular right now
A King in New York (1957)
Film career
Peak 1977 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1944Screen debut· Weird Woman
- 1977Career best· Star Wars
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Phil Brown's films land?
Their typical Motif film has a Midcredits score in the 67th percentile, the median of all 27; across their 14 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up11
- 50th to 74th7
- 25th to 49th8
- Below 25th3
Shape of the crowd
15 of their 29 titles are Crowd Pleasers.
- Universally Loved4
- Universally Panned1
- Crowd Pleaser15
- Broadly Agreed1
- Mixed8
Reviewers score the acting 67/100 in their films, across 13 reviewed titles; fans 76, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Phil Brown work with?
People who share at least 2 of Phil Brown's Motif titles, grouped by what they did on them; Sheldon Leonard shares the most, 2.
Actors
- Sheldon LeonardShared titles: If You Knew Susie (1948), Pierre of the Plains (1942)See all 2 shared titles with Sheldon Leonard

- Evelyn AnkersShared titles: Weird Woman (1944), Pierre of the Plains (1942)See all 2 shared titles with Evelyn Ankers

Composers
- Gerard SchurmannShared titles: The Bedford Incident (1965), The Camp on Blood Island (1958)See all 2 shared titles with Gerard Schurmann


